She'd bring to me a skein of wool
And beg me to hold out my hands;
so on my pipe I cease to pull
And watch her twine the shining strands
Into a ball so snug and neat,
Perchance a pair of socks to knit
To comfort my unworthy feet,
Or pullover my girth to fit.

As to the winding I would sway,
A poem in my head would sing,
And I would watch in dreamy way
The bright yarn swiftly slendering.
The best I liked were coloured strands
I let my pensive pipe grow cool . . .
Two active and two passive hands,
So busy wining shining wool.

It is a willow when summer is over,
a willow by the river
from which no leaf has fallen nor
bitten by the sun
turned orange or crimson.
The leaves cling and grow paler,
swing and grow paler
over the swirling waters of the river
as if loth to let go,
they are so cool, so drunk with
the swirl of the wind and of the river --
oblivious to winter,
the last to let go and fall
into the water and on the ground.

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.

when your mother can rise from her place
on the pew during the early service,

early enough that the sun barely fills the sky
with its weak straw, but row after row

in the auditorium is flush with folks who want
to be home before the football game gets underway

or hate the slower pace the later service takes
but still got to get their god on

before starting a new week: when she can rise
and tip down the aisle, three-inch heels

pointing a warning at hell through the plush
mauve carpet, smile and nod at preacher,

I will give you a poem when you wake tomorrow.
It will be a peaceful poem.
It won’t make you sad.
It won’t make you miserable.
It will simply be a poem to give you
When you wake tomorrow.

It was not written by myself alone.
I cannot lay claim to it.
I found it in your body.
In your smile I found it.
Will you recognise it?

You will find it under your pillow.
When you open the cupboard it will be there.
You will blink in astonishment,
Shout out, ‘How it trembles!
Its nakedness is startling! How fresh it tastes!’

poem in the ancient mode for you
that was musical and had old words

in it such as would never do in
the academies you loved it and you

said you did not know how to thank
me and in truth this is a problem

for who can ever be grateful enough
for poetry but i said you thank me

every day and every night wordlessly
which you really do although again

in truth it is a problem for how can
life ever be consonant with spirit

yet we are human and are naturally
hungry for gratitude yes we need it

Did the people of Viet Nam
use lanterns of stone?
Did they hold ceremonies
to reverence the opening of buds?
Were they inclined to quiet laughter?
Did they use bone and ivory,
jade and silver, for ornament?
Had they an epic poem?
Did they distinguish between speech and singing?

Sir, their light hearts turned to stone.
It is not remembered whether in gardens
stone gardens illumined pleasant ways.
Perhaps they gathered once to delight in blossom,
but after their children were killed
there were no more buds.

When the writing is going well,
I am a prince in a desert palace,
fountains flowing in the garden.
I lean an elbow on a velvet pillow
and drink from a silver goblet,
poems like a banquet
spread before me on rugs
with rosettes the damask of blood.
But exiled
from the palace, I wander --
crawling on burning sand,
thirsting on barren dunes,
believing a heartless mirage no less true
than palms and pools of the cool oasis.


Anonymous submission.

What curious dresses all men wear!
The walker you met in a brown study,
The President smug in rotogravure,
The mannequin, the bathing beauty.

The bubble-dancer, the deep-sea diver,
The bureaucrat, the adulterer,
Hide private parts which I disclose
To those who know what a poem knows.

The decorum of fire...
-- Pablo Neruda

We learned the decorum of fire,
the flame's curious symmetry,
the blue heat at the center of the thighs,
the flickering red of the hips,
& the tallow gold of the breasts
lit from within
by the lantern in the ribs.

You tear yourself out of me
like a branch that longs to be grafted
onto a fruit tree,
peach & pear
crossed with each other,
fig & banana served on one plate,
the leaf & the luminous snail
that clings to it.

We learned that the tearing