Take a newspaper.
Take some scissors.
Choose from this paper an article the length you want to make your poem.
Cut out the article.
Next carefully cut out each of the words that make up this article and put them all in a bag.
Shake gently.
Next take out each cutting one after the other.
Copy conscientiously in the order in which they left the bag.
The poem will resemble you.
And there you are--an infinitely original author of charming sensibility, even though unappreciated by the vulgar herd.

Lucy, you brightness of our sphere, who are
Life of the Muses' day, their morning star!
If works, not th' author's, their own grace should look,
Whose poems would not wish to be your book?
But these, desir'd by you, the maker's ends
Crown with their own. Rare poems ask rare friends.
Yet satires, since the most of mankind be
Their unavoided subject, fewest see;
For none e'er took that pleasure in sin's sense
But, when they heard it tax'd, took more offence.
They, then, that living where the matter is bred,

I slumbered with your poems on my breast
Spread open as I dropped them half-read through
Like dove wings on a figure on a tomb
To see, if in a dream they brought of you,

I might not have the chance I missed in life
Through some delay, and call you to your face
First soldier, and then poet, and then both,
Who died a soldier-poet of your race.

I meant, you meant, that nothing should remain
Unsaid between us, brother, and this remained--
And one thing more that was not then to say:
The Victory for what it lost and gained.

The great sun sinks behind the town
Through a red mist of Volnay wine....
But what’s the use of setting down
That glorious blaze behind the town?
You’ll only skip the page, you’ll look
For newer pictures in this book;
You’ve read of sunsets rich as mine.

A fresh wind fills the evening air
With horrid crying of night birds....
But what reads new or curious there
When cold winds fly across the air?
You’ll only frown; you’ll turn the page,
But find no glimpse of your “New Age
Of Poetry” in my worn-out words.

You know there is not much
that I desire, a few chrysanthemums
half lying on the grass, yellow
and brown and white, the
talk of a few people, the trees,
an expanse of dried leaves perhaps
with ditches among them.

But there comes
between me and these things
a letter
or even a look--well placed,
you understand,
so that I am confused, twisted
four ways and--left flat,
unable to lift the food to
my own mouth:
Here is what they say: Come!
and come! and come! And if
I do not go I remain stale to

Come at it carefully, don't trust it, that isn't its right name,
It's wearing stolen rags, it's never been washed, its breath
Would look moss-green if it were really breathing,
It won't get out of the way, it stares at you
Out of eyes burnt gray as the sidewalk,
Its skin is overcast with colorless dirt,
It has no distinguishing marks, no I.D. cards,
It wants something of yours but hasn't decided
Whether to ask for it or just take it,
There are no policemen, no friendly neighbors,
No peacekeeping busybodies to yell for, only this

This is a poem I wrote before I died and was reborn:
- After the years of the apples ripening and the eagles
soaring,
After the festival here the small flowers gleamed like the
first stars,
And the horses cantered and romped away like the
experience of skill; mastered and serene
Power, grasped and governed by reins, lightly held by
knowing hands.

The horses had cantered away, far enough away
So that I saw the horses' heads farther and farther away
And saw that they had reached the black horizon on the
dusk of day

Today my mother and sisters
came to see me.

I had been alone a long time
with my poems, my pride . . . almost nothing.

My sister---the oldest---is grown up,
is blondish. An elemental dream
goes through her eyes: I told the youngest
"Life is sweet. Everything bad comes to an end."

My mother smiled as those who understand souls
tend to do;
She placed two hands on my shoulders.
She's staring at me . . .
and tears spring from my eyes.

We ate together in the warmest room
of the house.
Spring sky . . . to see it

It could be the name of a prehistoric beast
that roamed the Paleozoic earth, rising up
on its hind legs to show off its large vocabulary,
or some lover in a myth who is metamorphosed into a book.

It means treasury, but it is just a place
where words congregate with their relatives,
a big park where hundreds of family reunions
are always being held,
house, home, abode, dwelling, lodgings, and digs,
all sharing the same picnic basket and thermos;
hairy, hirsute, woolly, furry, fleecy, and shaggy

Caros is probably the noted usurper Carausius, by birth a Menapran, who assumed the purple in the year 284; and, seizing on Britain, defeated the emperor Maximinian Herculius in several naval engagements, which gives propriety to his being called in this poem "the king of ships." He repaired Agricola's wall, in order to obstruct the incursions of the Caledonians, and when he was employed in that work, it appears he was attacked by a party under the command of Oscar the son of' Ossian. This battle is the foundation of the present poem, which is addressed to Malvina, the daughter of Toscar.