Horace: Book III, Ode 3

"Carminis interea nostri redæmus in orbem---"


Let us return, then, for a time,
To our accustomed round of rhyme;
And let my songs' familiar art
Not fail to move my lady's heart.

They say that Orpheus with his lute
Had power to tame the wildest brute;
That "Vatiations on a Theme"
Of his would stay the swiftest stream.

They say that by the minstrel's song
Cithæron's rocks were moved along
To Thebes, where, as you may recall,
They formed themselves to frame a wall.

The Master stood upon the mount, and taught.
He saw a fire in his disciples’ eyes;
‘The old law’, they said, ‘is wholly come to naught!
Behold the new world rise!’

‘Was it’, the Lord then said, ‘with scorn ye saw
The old law observed by Scribes and Pharisees?
I say unto you, see ye keep that law
More faithfully than these!

‘Too hasty heads for ordering worlds, alas!
Think not that I to annul the law have will’d;
No jot, no tittle from the law shall pass,
Till all hath been fulfill’d.’

Send sunflowers!
With my turkey-bone whistle
I am calling the birds
To sing upon the sunflowers.
For when the clouds hear them singing
They will come quickly,
And rain will fall upon our fields.
Send sunflowers!

I praise you because
you are artist and scientist
in one. When I am somewhat
fearful of your power,
your ability to work miracles
with a set-square, I hear
you murmuring to yourself
in a notation Beethoven
dreamed of but never achieved.
You run off your scales of
rain water and sea water, play
the chords of the morning
and evening light, sculpture
with shadow, join together leaf
by leaf, when spring
comes, the stanzas of
an immense poem. You speak
all languages and none,
answering our most complex

Chatter of birds two by two raises a night song joining a litany of running water--sheer waters
showing the russet of old stones remembering many rains.

And the long willows drowse on the shoulders of the running water, and sleep from much music;
joined songs of day-end, feathery throats and stony waters, in a choir chanting new psalms.

It is too much for the long willows when low laughter of a red moon comes down; and the willows
drowse and sleep on the shoulders of the running water.

Ay, lay him 'neath the Simla pine --
A fortnight fully to be missed,
Behold, we lose our fourth at whist,
A chair is vacant where we dine.

His place forgets him; other men
Have bought his ponies, guns, and traps.
His fortune is the Great Perhaps
And that cool rest-house down the glen,

Whence he shall hear, as spirits may,
Our mundance revel on the height,
Shall watch each flashing 'rickshaw-light
Sweep on to dinner, dance, and play.

Benmore shall woo him to the ball
With lighted rooms and braying band;

The rain set early in to-night,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listened with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side

Porlock! thy verdant vale so fair to sight,
Thy lofty hills which fern and furze imbrown,
The waters that roll musically down
Thy woody glens, the traveller with delight
Recalls to memory, and the channel grey
Circling its surges in thy level bay.
Porlock! I shall forget thee not,
Here by the unwelcome summer rain confined;
But often shall hereafter call to mind
How here, a patient prisoner, 'twas my lot
To wear the lonely, lingering close of day,
Making my sonnet by the alehouse fire,
Whilst Idleness and Solitude inspire

I. THE LION

The Lion is a kingly beast.
He likes a Hindu for a feast.
And if no Hindu he can get,
The lion-family is upset.

He cuffs his wife and bites her ears
Till she is nearly moved to tears.
Then some explorer finds the den
And all is family peace again.


II. AN EXPLANATION OF THE GRASSHOPPER

The Grasshopper, the grasshopper,
I will explain to you:—
He is the Brownies' racehorse,
The fairies' Kangaroo.


III. THE DANGEROUS LITTLE BOY FAIRIES

Nurse, won't you let him in?
He's barkin' an' scratchen' the door,
Makin' so dreffel a din
I jest can't sleep any more;
Out there in the dark an' the cold,
Hark to him scrape an' whine,
Breakin' his heart o' gold,
Poor little pooch o' mine.

Nurse, I was sat in ma seat
In front o' the barber shop,
When there he was lickin' ma feet
As if he would never stop;
Then all of a sudden I see
That dog-catcher moseyin' by:
"Whose mongrel is that?" says he;
"It's ma pedigree pup," says I.

Nurse, he was starved an' a-stray,