a symphony orchestra.

Roads not yet glistening, rain slight,
Broken clouds darken after thinning away.
Where they drift, purple cliffs blacken.
And beyond -- white birds blaze in flight.

Sounds of cold-river rain grown familiar,
Autumn sun casts moist shadows. Below
Our brushwood gate, out to dry at the village
Mill: hulled rice, half-wet and fragrant.

The rain is raining all around,
It falls on field and tree,
It rains on the umbrellas here,
And on the ships at sea.

Suddenly this defeat.
This rain.
The blues gone gray
And the browns gone gray
And yellow
A terrible amber.
In the cold streets
Your warm body.
In whatever room
Your warm body.
Among all the people
Your absence
The people who are always
Not you.


I have been easy with trees
Too long.
Too familiar with mountains.
Joy has been a habit.
Now
Suddenly
This rain.


Anonymous submission.

NOTE.—Rahel Robert and Varnhagen von Ense were married, after many protestations on her part, in 1814. The marriage—so far as he was concerned at any rate—appears to have been satisfactory.


Now you have read them all; or if not all,
As many as in all conscience I should fancy
To be enough. There are no more of them—
Or none to burn your sleep, or to bring dreams
Of devils. If these are not sufficient, surely
You are a strange young man. I might live on
Alone, and for another forty years,
Or not quite forty,—are you happier now?—

There are too many waterfalls here; the crowded streams
hurry too rapidly down to the sea,
and the pressure of so many clouds on the mountaintops
makes them spill over the sides in soft slow-motion,
turning to waterfalls under our very eyes.
--For if those streaks, those mile-long, shiny, tearstains,
aren't waterfalls yet,
in a quick age or so, as ages go here,
they probably will be.
But if the streams and clouds keep travelling, travelling,
the mountains look like the hulls of capsized ships,
slime-hung and barnacled.

Once I loved a fairy,
Queen Mab it was. Her voice
Was like a little Fountain
That bids the birds rejoice.
Her face was wise and solemn,
Her hair was brown and fine.
Her dress was pansy velvet,
A butterfly design.

To see her hover round me
Or walk the hills of air,
Awakened love's deep pulses
And boyhood's first despair;
A passion like a sword-blade
That pierced me thro' and thro':
Her fingers healed the sorrow
Her whisper would renew.
We sighed and reigned and feasted
Within a hollow tree,

When I behold what pleasure is pursuit,
What life, what glorious eagerness it is;
Then mark how full possession falls from this,
How fairer seems the blossom than the fruit --
I am perplexed, and often stricken mute
Wondering which attained the higher bliss,
The wingèd insect, or the chrysalis
It thrust aside with unreluctant foot.
Spirit of verse, that still elud'st my art,
Thou uncaught rapture, thou swift-fleeting fire,
O let me follow thee with hungry heart
If beauty's full possession kill desire!

See you the ferny ride that steals
Into the oak-woods far?
O that was whence they hewed the keels
That rolled to Trafalgar.

And mark you where the ivy clings
To Bayham's mouldering walls?
O there we cast the stout railings
That stand around St. Paul's.

See you the dimpled track that runs
All hollow through the wheat?
O that was where they hauled the guns
That smote King Philip's fleet.

(Out of the Weald, the secret Weald,
Men sent in ancient years,
The horse-shoes red at Flodden Field,
The arrows at Poitiers!)

Great God, whose universal sway
The known and unknown worlds obey,
Now give the kingdom to thy Son,
Extend his power, exalt his throne.

The scepter well becomes his hands;
All heaven submits to his commands;
His justice shall avenge the poor,
And pride and rage prevail no more.

With power he vindicates the just,
And treads the oppressor in the dust:
His worship and his fear shall last
Till the full course of time be past.

As rain on meadows newly mown,
So shall he send his influence down: