All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.

Lost in the swamp and welter of the pit,
He flounders off the duck-boards; only he knows
Each flash and spouting crash,--each instant lit
When gloom reveals the streaming rain. He goes
Heavily, blindly on. And, while he blunders,
"Could anything be worse than this?"--he wonders,
Remembering how he saw those Germans run,
Screaming for mercy among the stumps of trees:
Green-faced, they dodged and darted: there was one
Livid with terror, clutching at his knees. . .
Our chaps were sticking 'em like pigs . . . "O hell!"

Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone

And an old priest said, "Speak to us of Religion."

And he said:

Have I spoken this day of aught else?

Is not religion all deeds and all reflection,

And that which is neither deed nor reflection, but a wonder and a surprise ever springing in the soul, even while the hands hew the stone or tend the loom?

Who can separate his faith from his actions, or his belief from his occupations?

Who can spread his hours before him, saying, "This for God and this for myself; This for my soul, and this other for my body?"

Hello Winter, hello flanneled
blanket of clouds, clouds
fueled by more clouds, hello again.

Hello afternoons,
off to the west, that silver
of sunset, rust-colored
and gone too soon.

And night (I admit to a short memory)
you climb back in with chilly fingers
and clocks, and there is no refusal:
ice cracks the water main, the garden hose
stiffens, the bladed leaves of the rhododendron
shine in the fog of a huge moon.

And rain, street lacquer,
oily puddles and spinning rubber,
mist of angels on the head of a pin,

There's a regret that from my bosom aye
Wrings forth a dirgy sweetness, like a rain
Of deathward love; that ever in my brain
Uttereth such tones as in some foregone way
Seem gathered from the harmonies that start
Into the dayspring, when some rarest view
Unveileth its Tempèan grace anew
To meet the sun—the great world’s fervent heart.
’Tis that, though living in his tuneful day,
My boyhood might not see the gentle smile,
Nor hear the voice of Shelley; that away

As I lay at your feet that afternoon,
Little we spoke, you sat and mused,
Humming a sweet old-fashioned tune,

And I worshipped you, with a sense confused
Of the good time gone and the bad on the way,
While my hungry eyes your face perused

To catch and brand on my soul for aye
The subtle smile which had grown my doom.
Drinking sweet poison hushed I lay

Till the sunset shimmered athwart the room.
I rose to go. You stood so fair
And dim in the dead day's tender gloom:

All at once, or ever I was aware,

1.

Looking into the eyes of Gerard de Nerval
You notice the giant sea crabs rising.
Which is what happens
When you look into the eyes of Gerard de Nerval,
Always the same thing: the giant sea crabs,
The claws in their vague red holsters
Moving around, a little doubtfully.

2.

But looking into the eyes of Pierre Reverdy
Is like throwing the editorial page
Out into the rain
And then riding alone on the subway.

Also, it is like avoiding your father.
You are hiding and he looks for you

It seems these poets have nothing
up their ample sleeves
they turn over so many cards so early,
telling us before the first line
whether it is wet or dry,
night or day, the season the man is standing in,
even how much he has had to drink.

Maybe it is autumn and he is looking at a sparrow.
Maybe it is snowing on a town with a beautiful name.

"Viewing Peonies at the Temple of Good Fortune
on a Cloudy Afternoon" is one of Sun Tung Po's.
"Dipping Water from the River and Simmering Tea"
is another one, or just

Ghosts of all my lovely sins,
Who attend too well my pillow,
Gay the wanton rain begins;
Hide the limp and tearful willow.

Turn aside your eyes and ears,
Trail away your robes of sorrow,
You shall have my further years-
You shall walk with me tomorrow.

I am sister to the rain;
Fey and sudden and unholy,
Petulant at the windowpane,
Quickly lost, remembered slowly.

I have lived with shades, a shade;
I am hung with graveyard flowers.
Let me be tonight arrayed
In the silver of the showers.