When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in
Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother
96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
in-law blonde Connie, five nephews, stepbrothers & sisters
their grandchildren,

Our Danny came back home to us
By Greyhound bus today.
The count of days was forty-six
Since when he went away.

He thumbed a ride to San Antone,
And hopped a freight from there.
He didn't have the wherewithal
To pay the travel fare.

In Granite City, Illinois,
He loaded railroad ties,
While learning pay is just reward
He gets because he tries.

He thought he'd work the summer,
But then he heard our plea,
Through one Salvation Army man,
Who read my poetry.

And so, he climbed aboard a bus,

1992

1) I was born in a Free City, near the North Sea.

2) In the year of my birth, money was shredded into
confetti. A loaf of bread cost a million marks. Of
course I do not remember this.

3) Parents and grandparents hovered around me. The
world I lived in had a soft voice and no claws.

4) A cornucopia filled with treats took me into a building
with bells. A wide-bosomed teacher took me in.

5) At home the bookshelves connected heaven and earth.

6) On Sundays the city child waded through pinecones

It is not given to every man to take a bath of multitude; enjoying a crowd is an art; and only he can relish a debauch of vitality at the expense of the human species, on whom, in his cradle, a fairy has bestowed the love of masks and masquerading, the hate of home, and the passion for roaming.

Multitude, solitude: identical terms, and interchangeable by the active and fertile poet. The man who is unable to people his solitude is equally unable to be alone in a bustling crowd.

("Poetry must be simple, sensuous, or impassioned; this man is neither simple, sensuous, nor impassioned; therefore he is not a poet")


No man had ever heard a nightingale,
When once a keen-eyed naturalist was stirred
To study and define--what is a bird,
To classify by rote and book, nor fail
To mark its structure and to note the scale
Whereon its song might possibly be heard.
Thus far, no farther;--so he spake the word.
When of a sudden,--hark, the nightingale!

Oh deeper, higher than he could divine

Five minutes here, and they must steal two more!
shameful! Here have I been five mortal years
and not seen home nor one dear kindred face,
and these abominable slugs, this guard,
this driver, porters--what are they about?--
keep us here motionless, two minutes, three.--
Aha! at last!

Good! We shall check our minutes;
we're flying after them, like a mad wind
chasing the leaves it has tossed on in front.
Oh glorious wild speed, what giants' play!
and there are men who tell us poetry

In the year when Muhammad Khovarezm Shah concluded peace with the king of Khata to suit his own purpose, I entered the cathedral mosque of Kashgar and saw an extremely handsome, graceful boy as described in the simile:

Thy master has taught thee to coquet and to ravish hearts,
Instructed thee to oppose, to dally, to blame and to be severe.
A person of such figure, temper, stature and gait
I have not seen; perhaps he learnt these tricks from a fairy.

An impostor arranged his hair in a peculiar fashion, pretended to be a descendant of A'li and entered the town with a caravan from the Hejaz, saying that he had just arrived from a pilgrimage. He also presented an elegy to the king, alleging that he had himself composed it. One of the king’s courtiers, who had that year returned from a journey, said: "I have seen him at Bosrah on the Azhah festival, then how can he be a Haji?" Another said: "His father was a Christian at Melitah. How can he be a descendant of A'li?

Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn...)
Besides the photo and the memory?
(...that time is the fire in which we burn.)

(This is the school in which we learn...)

Fall fell: so that's it for the leaf poetry:
some flurries have whitened the edges of roads

and lawns: time for that, the snow stuff: &
turkeys and old St. Nick: where am I going to

find something to write about I haven't already
written away: I will have to stop short, look

down, look up, look close, think, think, think:
but in what range should I think: should I

figure colors and outlines, given forms, say
mailboxes, or should I try to plumb what is

behind what and what behind that, deep down