Reason says, “ I will beguile him with the tongue.”; Love says,
“Be silent. I will beguile him with the soul.”
The soul says to the heart, “Go, do not laugh at me and yourself.
What is there that is not his, that I may beguile him
thereby?”
He is not sorrowful and anxious and seeking oblivion that I
may beguile him with wine and a heavy measure.
The arrow of his glance needs not a bow that I should beguile
the shaft of his gaze with a bow.
He is not prisoner of the world, fettered to this world of earth,

"Vocat aestus in umbram"
Nemesianus Es. IV.

E. P. Ode pour l'élection de son sépulchre

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --

No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:

"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way

It’s good to have chosen
A living home
And housed time
In a ceaseless heart
And seen my hands
Alight on the world,
As on an apple
In a little garden,
To have loved the earth,
The moon and the sun
Like old friends
Who have no equals,
And to have committed
The world to memory
Like a bright horseman
To his black steed,
To have given a face
To these words — woman, children,
And to have been a shore
For the wandering continents
And to have come upon the soul

Dark cypresses--
The world is uneasily happy;
It will all be forgotten.
--Theodore Storm


Mother of roots, you have not seeded
The tall ashes of loneliness
For me. Therefore,
Now I go.
If I knew the name,
Your name, all trellises of vineyards and old fire
Would quicken to shake terribly my
Earth, mother of spiraling searches, terrible
Fable of calcium, girl. I crept this afternoon
In weeds once more,
Casual, daydreaming you might not strike
Me down. Mother of window sills and journeys,
Hallower of searching hands,

Always be drunk.
That's it!
The great imperative!
In order not to feel
Time's horrid fardel
bruise your shoulders,
grinding you into the earth,
Get drunk and stay that way.
On what?
On wine, poetry, virtue, whatever.
But get drunk.
And if you sometimes happen to wake up
on the porches of a palace,
in the green grass of a ditch,
in the dismal loneliness of your own room,
your drunkenness gone or disappearing,
ask the wind,
the wave,
the star,
the bird,
the clock,
ask everything that flees,

Through tannic steam I catch a glimpse of Fuji:
Against a yellow sky volcanic gold
A saucer narrows nature very strangely,
In shallow ripples lovely to behold.
The clouds, like little webs, like spider legs,
Are pierced by sun no bigger than a mote,
And bird-fish, fish-birds, flecks that will be dregs,
Spin azure topaz outlines as they float.
A tiny world with spring a world in it:
There comes an air of almonds, blare of horns,
And all the gulf if twice as large would fit
Encompassed in the hug of porcelain shores.

For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old scene.Wrong from the start--

No, hardly, but seeing he had been born
In a half-savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;

[idmen gar toi pant, hos eni Troiei]
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,

What is poetry? Is it a mosaic
Of coloured stones which curiously are wrought
Into a pattern? Rather glass that's taught
By patient labor any hue to take
And glowing with a sumptuous splendor, make
Beauty a thing of awe; where sunbeams caught,
Transmuted fall in sheafs of rainbows fraught
With storied meaning for religion's sake.

The last leaves fell like notes from a piano
and left their ovals echoing in the ear;
with gawky music stands, the winter forest
looks like an empty orchestra, its lines
ruled on these scattered manuscripts of snow.

The inlaid copper laurel of an oak
shines though the brown-bricked glass above your head
as bright as whisky, while the wintry breath
of lines from Mandelstam, which you recite,
uncoils as visibly as cigarette smoke.

'The rustling of ruble notes by the lemon Neva.'
Under your exile's tongue, crisp under heel,

EYES always open eyes
onions we were all found under
eyes never in a hurry wait for me
blink at the smash preserve the negative hold on a minute
(we are taking actuality as a section through sentiment at that point)

MICROPHONES tearing the remote controls controlling tears
twisting the tender cables urgent flowers suffer so
in evening close the door you can't come in
deface the setting sun when they is done
(three guggly waters play at hide and seek the moon what time is it)

CLOCK out important messages on his vanishing brain