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Mingus At The Showplace

I was miserable, of course, for I was seventeen
and so I swung into action and wrote a poem

and it was miserable, for that was how I thought
poetry worked: you digested experience shat

literature. It was 1960 at The Showplace, long since
defunct, on West 4th st., and I sat at the bar,

casting beer money from a reel of ones,
the kid in the city, big ears like a puppy.

And I knew Mingus was a genius. I knew two
other things, but as it happens they were wrong.

So I made him look at this poem.

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Milton

I

Lover of beauty, walking on the height
Of pure philosophy and tranquil song;
Born to behold the visions that belong
To those who dwell in melody and light;
Milton, thou spirit delicate and bright!
What drew thee down to join the Roundhead throng
Of iron-sided warriors, rude and strong,
Fighting for freedom in a world half night?

Lover of Liberty at heart wast thou,
Above all beauty bright, all music clear:
To thee she bared her bosom and her brow,
Breathing her virgin promise in thine ear,

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May 26

In Rotterdam I'm
going to speak about
the state of poetry
on a panel with a Pole
and a Turk. It's worth
being alive to utter
that sentence. A
German from Furth,
my father's home town
and Henry Kissinger's,
will preside. His name
is Joachim Sartorius,
which sounds like a
pseudonym Kierkegaard
might use to condemn
the habits of his age
and ours when nothing
ever happens but the
publicity is immediate
and the town meeting
ends with the people
convinced they have
rebelled so now they

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Marginal Note

A ray of light, to an oblique observer,
Remains invisible in pure dry air;
But shone into a turbid element
It throws distracting side-gleams everywhere

And is diminished by what takes the eye.
So poetry that moves by chance collision
Scatters its brightness at each random mote
And mars the lucid order of its vision.

The purest meditation will appear
Faint or invisible to those who glance
Obliquely at its unreflected beam;

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March

I

Winter is long in this climate
and spring--a matter of a few days
only,--a flower or two picked
from mud or from among wet leaves
or at best against treacherous
bitterness of wind, and sky shining
teasingly, then closing in black
and sudden, with fierce jaws.

II

March,
you reminded me of
the pyramids, our pyramids--
stript of the polished stone
that used to guard them!
March,
you are like Fra Angelico
at Fiesole, painting on plaster!

March,
you are like a band of

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Love, The Soul Of Poetry

When first Alexis did in Verse delight,
His Muse in Low, but Graceful Numbers walk't,
And now and then a little Proudly stalk't;
But never aim'd at any noble Flight:
The Herds, the Groves, the gentle purling Streams,
Adorn'd his Song, and were his highest Theams.

But Love these Thoughts, like Mists, did soon disperse,
Enlarg'd his Fancy, and set free his Muse,
Biding him more Illustrious Subjects choose;
The Acts of Gods, and God-like Men reherse.
From thence new Raptures did his Breast inspire,
His scarce Warm-Heart converted was to Fire.

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Lines Written in a Blank Leaf of the Prometheus Unbound

Write it in gold - a Spirit of the sun,
An Intellect ablaze with heavenly thoughts,
A soul with all the dews of pathos shining,
Odorous with love, and sweet to silent woe
With the dark glories of concentrate song,
Was sphered in mortal earth. Angelic sounds
Alive with panting thoughts sunned the dim world.
The bright creations of an human heart
Wrought magic in the bosoms of mankind.
A flooding summer burst on Poetry;
Of which the crowning sun, the night of beauty,
The dancing showers, the birds, whose anthems wild

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Lines to Him Who Will Understand Them

THOU art no more my bosom's FRIEND;
Here must the sweet delusion end,
That charm'd my senses many a year,
Thro' smiling summers, winters drear.­
O, FRIENDSHIP! am I doom'd to find
Thou art a phantom of the mind?
A glitt'ring shade, an empty name,
An air-born vision's vap'rish flame?
And yet, the dear DECEIT so long
Has wak'd to joy my matin song,
Has bid my tears forget to flow,
Chas'd ev'ry pain, soothed ev'ry woe;
That TRUTH, unwelcome to my ear,
Swells the deep sigh, recalls the tear,

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Lines in Reply to the Beautiful Poet Who Welcomed News of McGonagall's Departure from Dundee

Dear Johnny, I return my thanks to you;
But more than thanks is your due
For publishing the scurrilous poetry about me
Leaving the Ancient City of Dundee.

The rhymster says, we'll weary for your schauchlin' form;
But if I'm not mistaken I've seen bonnier than his in a field of corn;
And, as I venture to say and really suppose,
His form seen in a cornfield would frighten the crows.

But, dear Johnny, as you said, he's just a lampoon,
And as ugly and as ignorant as a wild baboon;
And, as far as I can judge or think,

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Lines For The Fortune Cookies

I think you're wonderful and so does everyone else.

Just as Jackie Kennedy has a baby boy, so will you--even bigger.

You will meet a tall beautiful blonde stranger, and you will not say hello.

You will take a long trip and you will be very happy, though alone.

You will marry the first person who tells you your eyes are like scrambled eggs.

In the beginning there was YOU--there will always be YOU, I guess.

You will write a great play and it will run for three performances.

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