nature

Early within his workshop here,
On Sundays stands our master dear;
His dirty apron he puts away,
And wears a cleanly doublet to-day;
Lets wax'd thread, hammer, and pincers rest,
And lays his awl within his chest;
The seventh day he takes repose
From many pulls and many blows.

Soon as the spring-sun meets his view,
Repose begets him labour anew;
He feels that he holds within his brain
A little world, that broods there amain,
And that begins to act and to live,
Which he to others would gladly give.

Lead us, Evolution, lead us
Up the future's endless stair;
Chop us, change us, prod us, weed us.
For stagnation is despair:
Groping, guessing, yet progressing,
Lead us nobody knows where.

Wrong or justice, joy or sorrow,
In the present what are they
while there's always jam-tomorrow,
While we tread the onward way?
Never knowing where we're going,
We can never go astray.

To whatever variation
Our posterity may turn
Hairy, squashy, or crustacean,
Bulbous-eyed or square of stern,

At Eutaw Springs the valiant died;
Their limbs with dust are covered o'er;
Weep on, ye springs, your tearful tide;
How many heroes are no more!

If in this wreck of ruin, they
Can yet be thought to claim a tear,
O smite thy gentle breast, and say
The friends of freedom slumber here!

Thou, who shalt trace this bloody plain,
If goodness rules thy generous breast,
Sigh for the wasted rural reign;
Sigh for the shepherds sunk to rest!

Stranger, their humble groves adorn;

Eros, from rest in isles far-famed,
With rising Anthesterion rose,
And all Hellenic heights acclaimed
Eros.

The sea one pearl, the shore one rose,
All round him all the flower-month flamed
And lightened, laughing off repose.

Earth's heart, sublime and unashamed,
Knew, even perchance as man's heart knows,
The thirst of all men's nature named
Eros.

II.

Eros, a fire of heart untamed,
A light of spirit in sense that glows,
Flamed heavenward still ere earth defamed
Eros.

I am nae poet, in a sense,
But just a rhymer like by chance,
An' hae to learning nae pretence;
Yet what the matter?
Whene'er my Muse does on me glance,
I jingle at her.

Your critic-folk may cock their nose,
And say, "How can you e'er propose,
You wha ken hardly verse frae prose,
To mak a sang?"
But, by your leave, my learned foes,
Ye're maybe wrang.

What's a' your jargon o' your schools,
Your Latin names for horns an' stools?

'Twas summer, when softly the breezes were blowing,
And Hudson majestic so sweetly was flowing,
The groves rang with music & accents of pleasure
And nature in rapture beat time to the measure,
When Helen and Jonas, so true and so loving,
Along the green lawn were seen arm in arm moving,
Sweet daffodils, violets and roses spontaneous
Wherever they wandered sprang up instantaneous.
The ascent the lovers at length were seen climbing
Whose summit is grac'd by the temple of Hymen:

Est brevitate opus, ut currat sententia, neu se
Impediat verbis lassas onerantibus aures:
Et sermone opus est modo tristi, saepe jocoso,
Defendente vicem modo Rhetoris atque Poetae,
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?

My sister! my sweet sister! if a name
Dearer and purer were, it should be thine;
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same—
A loved regret which I would not resign.
There yet are two things in my destiny,—
A world to roam through, and a home with thee.

The first were nothing—had I still the last,
It were the haven of my happiness;
But other claims and other ties thou hast,
And mine is not the wish to make them less.

NOTHING so true as what you once let fall,
"Most Women have no Characters at all."
Matter too soft a lasting mark to bear,
And best distinguish'd by black, brown, or fair.

How many pictures of one Nymph we view,
All how unlike each other, all how true!
Arcadia's Countess, here, in ermin'd pride,
Is, there, Pastora by a fountain side.
Here Fannia, leering on her own good man,
And there, a naked Leda with a Swan.
Let then the Fair one beautifully cry,
In Magdalen's loose hair and lifted eye,

Think not this paper comes with vain pretense
To move your pity, or to mourn th'offense.
Too well I know that hard obdurate heart;
No softening mercy there will take my part,
Nor can a woman's arguments prevail,
When even your patron's wise example fails.
But this last privilege I still retain;
Th'oppressed and injured always may complain.
Too, too severely laws of honor bind
The weak submissive sex of womankind.
If sighs have gained or force compelled our hand,
Deceived by art, or urged by stern command,