nature

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

Then here's the Soul.

SECOND VOICE

Checked by the Will.

O FRIEND! I know not which way I must look
   For comfort, being, as I am, opprest,
   To think that now our life is only drest
For show; mean handy-work of craftsman, cook,
Or groom!--We must run glittering like a brook
   In the open sunshine, or we are unblest:
   The wealthiest man among us is the best:
No grandeur now in nature or in book
Delights us. Rapine, avarice, expense,
   This is idolatry; and these we adore:
   Plain living and high thinking are no more:

I

NATURE, a jealous mistress, laid him low.
He woo’d and won her; and, by love made bold,
She show’d him more than mortal man should know,
Then slew him lest her secret should be told.

You've asked me what the lobster is weaving there with
his golden feet?
I reply, the ocean knows this.
You say, what is the ascidia waiting for in its transparent
bell? What is it waiting for?
I tell you it is waiting for time, like you.
You ask me whom the Macrocystis alga hugs in its arms?
Study, study it, at a certain hour, in a certain sea I know.
You question me about the wicked tusk of the narwhal,
and I reply by describing
how the sea unicorn with the harpoon in it dies.

Time was, ere yet in these degenerate days
Ignoble themes obtain'd mistaken praise,
When sense and wit with poesy allied,
No fabl'd graces, flourish'd side by side;
From the same fount their inspiration drew,
And, rear'd by taste, bloom'd fairer as they grew.
Then, in this happy isle, a Pope's pure strain
Sought the rapt soul to charm, nor sought in vain;
A polish'd nation's praise aspir'd to claim,
And rais'd the people's, as the poet's fame.
Like him great Dryden pour'd the tide of song,

In Ionia whence sprang old poets' fame,
From whom that sea did first derive her name,
The blessed bed whereon the Muses lay,
Beauty of Greece, the pride of Asia,
Whence Archelaus, whom times historify,
First unto Athens brought philosophy:
In this fair region on a goodly plain,
Stretching her bounds unto the bord'ring main,
The mountain Latmus overlooks the sea,
Smiling to see the ocean billows play:
Latmus, where young Endymion used to keep
His fairest flock of silver-fleeced sheep,

The Curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The plowman homeward plods his weary way,
And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tow'r
The moping owl does to the moon complain
Of such as, wand'ring near her secret bow'r,

That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely

Dust of my dust,
And dust with my dust,
O, child who died as you entered the world,
Dead with my death!
Not knowing breath, though you tried so hard,
With a heart that beat when you lived with me,
And stopped when you left me for Life.
It is well, my child. For you never traveled
The long, long way that begins with school days,
When little fingers blur under the tears
That fall on the crooked letters.
And the earliest wound, when a little mate
Leaves you alone for another;