The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!

Letters to the monarch tell
How Alhama's city fell:
In the fire the scroll he threw,
And the messenger he slew.
Woe is me, Albamal

He quits his mule, and mounts his horse,
And through the street directs his course;
Through the street of Zacatin
To the Alhambra spurring in.
Woe is me, Alhama!

When the Alhambra walls he gain'd,
On the moment he ordain'd

You who live secure
In your warm houses
Who return at evening to find
Hot food and friendly faces:

Consider whether this is a man,
Who labours in the mud
Who knows no peace
Who fights for a crust of bread
Who dies at a yes or a no.
Consider whether this is a woman,
Without hair or name
With no more strength to remember
Eyes empty and womb cold
As a frog in winter.

Consider that this has been:
I commend these words to you.
Engrave them on your hearts

She was a phantom of delight
When first she gleamed upon my sight;
A lovely Apparition, sent
To be a moment's ornament;
Her eyes as stars of Twilight fair;
Like Twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful Dawn;
A dancing Shape, an Image gay,
To haunt, to startle, and way-lay.

I saw her upon a nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet
Sweet records, promises as sweet;

732

She rose to His Requirement—dropt
The Playthings of Her Life
To take the honorable Work
Of Woman, and of Wife—

If ought She missed in Her new Day,
Of Amplitude, or Awe—
Or first Prospective—Or the Gold
In using, wear away,

It lay unmentioned—as the Sea
Develop Pearl, and Weed,
But only to Himself—be known
The Fathoms they abide—

WHEN unto thee I sent the page all white,
Instead of first thereon inscribing aught,
The space thou doubtless filledst up in sport.
And sent it me, to make my joy grow bright.
As soon as the blue cover met my sight,
As well becomes a woman, quick as thought
I tore it open, leaving hidden nought,
And read the well-known words of pure delight:
MY ONLY BEING! DEAREST HEART! SWEET CHILD!
How kindly thou my yearning then didst still
With gentle words, enthralling me to thee.
In truth methought I read thy whispers mild

1

the legend is whispered
in the women's tent
how the moon when she rises
full
follows some men into themselves
and changes them there
the season is short
but dreadful shapeshifters
they wear strange hands
they walk through the houses
at night their daughters
do not know them

2

who is there to protect her
from the hands of the father
not the windows which see and
say nothing not the moon
that awful eye not the woman
she will become with her
scarred tongue who who who the owl

Shall I wasting in despair
Die because a woman's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flow'ry meads in May,
If she be not so to me,
What care I how fair she be?

Shall my heart be griev'd or pin'd
'Cause I see a woman kind?
Or a well-disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle dove or pelican,
If she be not so to me,
What care I how kind she be?

Shall a woman's virtues move
Me to perish for her love?

I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been

‘What does a certain woman know of the hour of her death?’ - Mandelstam



Tallest, suavest of us, why Memory,
forcing you to appear from the past, pass
down a train, swaying, to find me
clear profiled through the window-glass?
Angel or bird? How we debated!
The poet thought you like translucent straw.
Through dark lashes, your eyes, Georgian,
looking, with gentleness, on it all.
Shade, forgive. Blue skies, Flaubert,
Insomnia, late-blooming lilac flower,
bring you, and the magnificence of the year,

The happiest moment in a woman's life
Is when she hears the turn of her lover's key
In the lock, and pretends to be asleep
When he enters the room, trying to be
Quiet but clumsy, bumping into things,
And she can smell the liquor on his breath
But forgives him because she has him back
And doesn't have to sleep alone.

The happiest moment is a man's life
Is when he climbs out of bed
With a woman, after an hour's sleep,
After making love, and pulls on
His trousers, and walks outside,
And pees in the bushes, and sees