Since thou wilt banish me,
A long and last adieu!
This heart shall cherish thee,
Though ne'er those hopes renew
That once thy kindness bade me know,
And now thy falsehood turns to woe.

Since all the joy I've known,
And all the vows you made,
For ever now are flown,
As transient as a shade;
Oh! may thy fate as happy be
As that which seemed to shine on me.

Too fondly I relied,
Too easily believed;
Forgot how men have sigh'd,
And women have deceived—
I thought the world from falsehood free;

On the day the world ends
A bee circles a clover,
A Fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it it should always be.

On the day the world ends
Women walk through fields under their umbrellas
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

Song is not dead, although to-day
Men tell us everything is said.
There yet is something left to say,
Song is not dead.

While still the evening sky is red,
While still the morning gold and grey,
While still the autumn leaves are shed,

While still the heart of youth is gay,
And honour crowns the hoary head,
While men and women love and pray
Song is not dead.

A hundred years and more ago
A little child was born --
To-day, with pomp of martial show,
We hail his natal morn.

Who guessed as that poor infant wept
Upon a woman's knee,
A nation from the centuries stept
As weak and frail as he?

Who saw the future on his brow
Upon that happy morn?
We are a mighty nation now
Because that child was born.

To him, and to his spirit's scope,
Besides a glorious home,
We owe that what we have and hope
Are more than Greece and Rome.

…do not send me out
among strangers
Sonia Sanchez

brothers,
this big woman
carries much sweetness
in the folds of her flesh.
her hair
is white with wonderful.
she is
rounder than the moon
and far more faithful.
brothers,
who will hold her,
who will find her beautiful
if you do not?

At her Junior High School graduation,
she sings alone
in front of the lot of us--

her voice soprano, surprising,
almost a woman's. It is
the Our Father in French,

the new language
making her strange, out there,
fully fledged and

ready for anything. Sitting
together -- her separated
mother and father -- we can

hear the racket of traffic
shaking the main streets
of Jersey City as she sings

Deliver us from evil,
and I wonder can she see me
in the dark here, years

from belief, on the edge

What I took in my hand
grew in weight. You must
understand it
was not obscene.

Night comes. We sleep.
Then if you know what
say it.
Don't pretend.

Guises are
what enemies wear. You
and I live
in a prayer.

Helpless. Helpless,
should I speak.
Would you.
What do you think of me.

No woman ever was,
was wiser
than you. None is
more true.

But fate, love, fate
scares me. What
I took in my hand
grows in weight.

When thy beauty appears
In its graces and airs
All bright as an angel new dropp'd from the sky,
At distance I gaze and am awed by my fears:
So strangely you dazzle my eye!

But when without art
Your kind thoughts you impart,
When your love runs in blushes through every vein;
When it darts from your eyes, when it pants in your heart,
Then I know you're a woman again.

There 's a passion and pride
In our sex (she replied),
And thus, might I gratify both, I would do:
Still an angel appear to each lover beside,

FRA bank to bank, fra wood to wood I rin,
   Ourhailit with my feeble fantasie;
   Like til a leaf that fallis from a tree,
Or til a reed ourblawin with the win.

Twa gods guides me: the ane of tham is blin,
   Yea and a bairn brocht up in vanitie;
   The next a wife ingenrit of the sea,
And lichter nor a dauphin with her fin.

Unhappy is the man for evermair
   That tills the sand and sawis in the air;

Sometimes the sky's too bright,
Or has too many clouds or birds,
And far away's too sharp a sun
To nourish thinking of him.
Why is my hand too blunt
To cut in front of me
My horrid images for me,
Of over-fruitful smiles,
The weightless touching of the lip
I wish to know
I cannot lift, but can,
The creature with the angel's face
Who tells me hurt,
And sees my body go
Down into misery?
No stopping. Put the smile
Where tears have come to dry.
The angel's hurt is left;
His telling burns.