I burned my fingers on the stove
And wept with bitterness;
But poor old Auntie Maggie strove
To comfort my distress.
Said she: 'Think, lassie, how you'll burn
Like any wicked besom
In fires of hell if you don't learn
Your Shorter Catechism.'

A man's chief end is it began,
(No mention of a woman's),
To glorify--I think it ran,
The God who made poor humans.
And as I learned, I thought: if this--
(My distaste growing stronger),
The Shorter Catechism is,

Chicago ran a fever of a hundred and one that groggy Sunday.
A reporter fried an egg on a sidewalk; the air looked shaky.
And a hundred thousand people were in the lake like shirts in
a laundry.
Why was Johnny lonely?
Not because two dozen solid citizens, heat-struck, had keeled
over backward.
Not because those lawful souls had fallen out of their sockets
and melted.
But because the sun went down like a lump in a furnace or a
bull in the Stockyards.
Where was Johnny headed?
Under the Biograph Theater sign that said, "Our Air is

Before the glare o’ dawn I rise
To milk the sleepy cows, an’ shake
The droving dust from tired eyes,
Look round the rabbit traps, then bake
The children’s bread.
There’s hay to stook, an’ beans to hoe,
An’ ferns to cut in the scrub below,
Women must work, when men must go
Shearing from shed to shed.

I patch an’ darn, now evening comes,
An’ tired I am with labour sore,
Tired o’ the bush, the cows, the gums,
Tired, but we must dree for long months more
What no tongue tells.
The moon is lonely in the sky,

A Dramatic Poem

The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors

FOLLOW a shadow, it still flies you;
   Seem to fly it, it will pursue:
So court a mistress, she denies you;
   Let her alone, she will court you.
   Say, are not women truly, then,
   Styled but the shadows of us men?

At morn and even, shades are longest;
   At noon they are or short or none:
So men at weakest, they are strongest,
   But grant us perfect, they're not known.
   Say, are not women truly, then,

See in the babe two loveliest flowers united--yet in truth,
While in the bud they seem the same--the virgin and the youth!
But loosened is the gentle bond, no longer side by side--
From holy shame the fiery strength will soon itself divide.
Permit the youth to sport, and still the wild desire to chase,
For, but when sated, weary strength returns to seek the grace.
Yet in the bud, the double flowers the future strife begin,
How precious all--yet naught can still the longing heart within.
In ripening charms the virgin bloom to woman shape hath grown,

For three things the earth is disquieted, and for four which it cannot bear. For a servant when he reigneth, and a fool when he is filled with meat; for an odious woman when she is married, and an handmaid that is heir to her mistress. -- Prov. XXX. 21-22-23.


Three things make earth unquiet
And four she cannot brook
The godly Agur counted them
And put them in a book --
Those Four Tremendous Curses
With which mankind is cursed;
But a Servant when He Reigneth
Old Agur entered first.
An Handmaid that is Mistress

'E was warned agin' 'er --
That's what made 'im look;
She was warned agin' 'im --
That is why she took.
'Wouldn't 'ear no reason,
'Went an' done it blind;
We know all about 'em,
They've got all to find!

Cheer for the Sergeant's weddin' --
Give 'em one cheer more!
Grey gun-'orses in the lando,
An' a rogue is married to, etc.

What's the use o' tellin'
'Arf the lot she's been?
'E's a bloomin' robber,
~An'~ 'e keeps canteen.
'Ow did 'e get 'is buggy?
Gawd, you needn't ask!

They are listening in the wires,
in the walls, under the eaves
in the wings of house martins,
in the ears of old women,
in the mouths of children.

They are listening to this now.

So let's hear it for the secret police,
a much misunderstood minority.
After all, they have their rights,
their own particular ways of seeing things,
saying things, cooking things,
they too have a culture uniquely their own.

"The spirits do not like the light,"
The medium said, and turned the switch;
The little lady on my right
Clutched at my hand with nervous twitch.
(She seemed to be a pretty bitch.)

The moustached women on my left,
With spirits on hr heavy breath,
Lasciviously leaned her heft
On me as one who languisheth.
The sordid room was still as death.

"A shape I see," the medium cried,
"Whose face and name I do not know . . ."
"'Tis Robert service," soft replied
A voice - "I passed a month ago,
And I've come back to let you know.