From ocean's wave a Wanderer came,
With visage tanned and dun:
His Mother, when he told his name,
Scarce knew her long-lost son;
So altered was his face and frame
By the ill course he had run.

There was hot fever in his blood,
And dark thoughts in his brain;
And oh! to turn his heart to good
That Mother strove in vain,
For fierce and fearful was his mood,
Racked by remorse and pain.

And if, at times, a gleam more mild
Would o'er his features stray,
When knelt the Widow near her Child,
And he tried with her to pray,

Fine is the wine that is in love with us,
The goodly bread we wait for from the oven,
And woman whom we have possessed, at last,
After we've suffered under yoke her own.

But what to do if a red sunset freezes
Above a sky that's drowning in cold,
Where there is silence and unearthly peace,
What can one do with the immortal ode?

You can't eat it, or drink, or even kiss ...
The moment fled, and next one now hovers,
And we wring hands, but yet once more miss -
We are condemned to miss and miss it over.

What should I be but a prophet and a liar,
Whose mother was a leprechaun, whose father was a friar?
Teethed on a crucifix and cradled under water,
What should I be but the fiend's god-daughter?

And who should be my playmates but the adder and the frog,
That was got beneath a furze-bush and born in a bog?
And what should be my singing, that was christened at an altar,
But Aves and Credos and Psalms out of the Psalter?

You will see such webs on the wet grass, maybe,
As a pixie-mother weaves for her baby,

I bought a dollar and a half's worth of small red potatoes,
took them home, boiled them in their jackets
and ate them for dinner with a little butter and salt.
Then I walked through the dried fields
on the edge of town. In middle June the light
hung on in the dark furrows at my feet,
and in the mountain oaks overhead the birds
were gathering for the night, the jays and mockers
squawking back and forth, the finches still darting
into the dusty light. The woman who sold me
the potatoes was from Poland; she was someone

What's the best life for a man?
--Never to have been born, sings the choros, and the next best
Is to die young. I saw the Sybil at Cumae
Hung in her cage over the public street--
What do you want, Sybil? I want to die.
Apothanein Thelo. Apothanein Thelo. Apothanein Thelo.
You have got your wish. But I meant life, not death.
What's the best life for a man? To ride in the wind. To ride
horses and herd cattle
In solitary places above the ocean on the beautiful mountain,
and come home hungry in the evening

Out of the night a crash,
A roar, a rampart of light;
A flame that leaped like a lash,
Searing forever my sight;
Out of the night a flash,
Then, oh, forever the Night!

Here in the dark I sit,
I who so loved the sun;
Supple and strong and fit,
In the dark till my days be done;
Aye, that's the hell of it,
Stalwart and twenty-one.

Marie is stanch and true,
Willing to be my wife;
Swears she has eyes for two . . .
Aye, but it's long, is Life.
What is a lad to do
With his heart and his brain at strife?

The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!

Letters to the monarch tell
How Alhama's city fell:
In the fire the scroll he threw,
And the messenger he slew.
Woe is me, Albamal

He quits his mule, and mounts his horse,
And through the street directs his course;
Through the street of Zacatin
To the Alhambra spurring in.

The Moorish King rides up and down,
Through Granada's royal town;
From Elvira's gate to those
Of Bivarambla on he goes.
Woe is me, Alhama!

Letters to the monarch tell
How Alhama's city fell:
In the fire the scroll he threw,
And the messenger he slew.
Woe is me, Albamal

He quits his mule, and mounts his horse,
And through the street directs his course;
Through the street of Zacatin
To the Alhambra spurring in.
Woe is me, Alhama!

When the Alhambra walls he gain'd,
On the moment he ordain'd

Hold hard, Ned! Lift me down once more, and lay me in the shade.
Old man, you've had your work cut out to guide
Both horses, and to hold me in the saddle when I swayed,
All through the hot, slow, sleepy, silent ride.
The dawn at "Moorabinda" was a mist rack dull and dense,
The sun-rise was a sullen, sluggish lamp;
I was dozing in the gateway at Arbuthnot's bound'ry fence,
I was dreaming on the Limestone cattle camp.
We crossed the creek at Carricksford, and sharply through the haze,
And suddenly the sun shot flaming forth;

On the street
Slung on his shoulder is a handle half way across,
Tied in a big knot on the scoop of cast iron
Are the overalls faded from sun and rain in the ditches;
Spatter of dry clay sticking yellow on his left sleeve
And a flimsy shirt open at the throat,
I know him for a shovel man,
A dago working for a dollar six bits a day
And a dark-eyed woman in the old country dreams of
him for one of the world's ready men with a pair
of fresh lips and a kiss better than all the wild