wind

606

The Trees like Tassels—hit—and swung—
There seemed to rise a Tune
From Miniature Creatures
Accompanying the Sun—

Far Psalteries of Summer—
Enamoring the Ear
They never yet did satisfy—
Remotest—when most fair

The Sun shone whole at intervals—
Then Half—then utter hid—
As if Himself were optional
And had Estates of Cloud

Sufficient to enfold Him
Eternally from view—
Except it were a whim of His
To let the Orchards grow—

AS I was walking all alane
I heard twa corbies making a mane:
The tane unto the tither did say,
'Whar sall we gang and dine the day?'

'--In behint yon auld fail dyke
I wot there lies a new-slain knight;
And naebody kens that he lies there
But his hawk, his hound, and his lady fair.

'His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady 's ta'en anither mate,
So we may mak our dinner sweet.

'Ye'll sit on his white hause-bane,

In Spanish he whispers there is no time left.
It is the sound of scythes arcing in wheat,
the ache of some field song in Salvador.
The wind along the prison, cautious
as Francisco's hands on the inside, touching
the walls as he walks, it is his wife's breath
slipping into his cell each night while he
imagines his hand to be hers. It is a small country.

There is nothing one man will not do to another.

The Vision of Judgment
(notes)

BY

QUEVEDO REDIVIVUS



SUGGESTED BY THE COMPOSITION SO ENTITLED BY THE AUTHOR OF 'WAT TYLER'

'A Daniel come to judgment! yes a Daniel!
I thank thee, Jew for teaching me that word.'

PREFACE

It hath been wisely said, that 'One fool makes many;' and it hath been poetically observed —

'That fools rush in where angels fear to tread.' - Pope

While joy gave clouds the light of stars,
That beamed wher'er they looked;
And calves and lambs had tottering knees,
Excited, while they sucked;
While every bird enjoyed his song,
Without one thought of harm or wrong--
I turned my head and saw the wind,
Not far from where I stood,
Dragging the corn by her golden hair,
Into a dark and lonely wood.

Don't listen to me; my heart's been broken.
I don't see anything objectively.

I know myself; I've learned to hear like a psychiatrist.
When I speak passionately,
That's when I'm least to be trusted.

It's very sad, really: all my life I've been praised
For my intelligence, my powers of language, of insight-
In the end they're wasted-

I never see myself.
Standing on the front steps. Holding my sisters hand.
That's why I can't account
For the bruises on her arm where the sleeve ends . . .

It sleeps among the thousand hills
Where no man ever trod,
And only nature's music fills
The silences of God.

Great mountains tower above its shore,
Green rushes fringe its brim,
And over its breast for evermore
The wanton breezes skim.

Dark clouds that intercept the sun
Go there in Spring to weep,
And there, when Autumn days are done.
White mists lie down to sleep.

Sunrise and sunset crown with gold
The pinks of ageless stone,
Her winds have thundered from of old -

The rain is plashing on my sill,
But all the winds of Heaven are still;
And so it falls with that dull sound
Which thrills us in the church-yard ground,
When the first spadeful drops like lead
Upon the coffin of the dead.
Beyond my streaming window-pane,
I cannot see the neighboring vane,
Yet from its old familiar tower
The bell comes, muffled, through the shower.
What strange and unsuspected link
Of feeling touched, has made me think --
While with a vacant soul and eye
I watch that gray and stony sky --

Ah, who was it coloured that little frock, my child, and covered
your sweet limbs with that little red tunic?
You have come out in the morning to play in the courtyard,
tottering and tumbling as you run.
But who was it coloured that little frock, my child?
What is it makes you laugh, my little life-bud?
Mother smiles at you standing on the threshold.
She claps her hands and her bracelets jingle, and you dance
with your bamboo stick in your hand like a tiny little shepherd.

Two terrors fright my soul by night and day:
The first is Life, and with her come the years;
A weary, winding train of maidens they,
With forward-fronting eyes, too sad for tears;
Upon whose kindred faces, blank and grey,
The shadow of a kindred woe appears.
Death is the second terror; who shall say
What form beneath the shrouding mantle nears?

Which way she turn, my soul finds no relief,
My smitten soul may not be comforted;
Alternately she swings from grief to grief,