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The Tear

When Friendship or Love
Our sympathies move;
When Truth, in a glance, should appear,
The lips may beguile,
With a dimple or smile,
But the test of affection's a Tear:

Too oft is a smile
But the hypocrite's wile,
To mask detestation, or fear;
Give me the soft sigh,
Whilst the soultelling eye
Is dimm'd, for a time, with a Tear:

Mild Charity's glow,
To us mortals below,
Shows the soul from barbarity clear;
Compassion will melt,
Where this virtue is felt,
And its dew is diffused in a Tear:

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The Tay Bridge Disaster

Beautiful Railway Bridge of the Silv'ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

'Twas about seven o'clock at night,
And the wind it blew with all its might,
And the rain came pouring down,
And the dark clouds seemed to frown,
And the Demon of the air seem'd to say --
"I'll blow down the Bridge of Tay."

When the train left Edinburgh
The passengers' hearts were light and felt no sorrow,

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The Taxi

When I go away from you
The world beats dead
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
ANd the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?

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The Task Book VI, The Winter Walk at Noon excerpts

Thus heav'nward all things tend. For all were once
Perfect, and all must be at length restor'd.
So God has greatly purpos'd; who would else
In his dishonour'd works himself endure
Dishonour, and be wrong'd without redress.
Haste then, and wheel away a shatter'd world,
Ye slow-revolving seasons! We would see
(A sight to which our eyes are strangers yet)
A world that does not dread and hate his laws,
And suffer for its crime: would learn how fair
The creature is that God pronounces good,

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The Task Book V, The Winter Morning Walk excerpts

'Tis morning; and the sun, with ruddy orb
Ascending, fires th' horizon: while the clouds,
That crowd away before the driving wind,
More ardent as the disk emerges more,
Resemble most some city in a blaze,
Seen through the leafless wood. His slanting ray
Slides ineffectual down the snowy vale,
And, tinging all with his own rosy hue,
From ev'ry herb and ev'ry spiry blade
Stretches a length of shadow o'er the field.
Mine, spindling into longitude immense,
In spite of gravity, and sage remark

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The Task Book I, The Sofa excerpts

...


Thou know'st my praise of nature most sincere,
And that my raptures are not conjur'd up
To serve occasions of poetic pomp,
But genuine, and art partner of them all.
How oft upon yon eminence our pace
Has slacken'd to a pause, and we have borne
The ruffling wind, scarce conscious that it blew,
While admiration, feeding at the eye,
And still unsated, dwelt upon the scene.
Thence with what pleasure have we just discern'd
The distant plough slow moving, and beside

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The Sussex sailor

O, once, by Cuckmere Haven,
I heard a sailor sing
Of shores beyond the sunset,
And lands of lasting spring,
Of blue lagoons and palm trees
And isles where all was young;
But this was ever the burden
of ev'ry note he sung:

"O, have you seen my true love
A-walking in that land?
Or have you seen her footprints
Upon that shining sand?
Beneath the happy palmtrees,
By Eden whispers fanned...
O, have you seen my true love
A-walking in that land?"

And, once in San Diego,
I heard him sing again,

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The Supplanter A Tale

I

He bends his travel-tarnished feet
   To where she wastes in clay:
From day-dawn until eve he fares
   Along the wintry way;
From day-dawn until eve repairs
   Unto her mound to pray.

II

"Are these the gravestone shapes that meet
   My forward-straining view?
Or forms that cross a window-blind
   In circle, knot, and queue:
Gay forms, that cross and whirl and wind
   To music throbbing through?" -

III

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The Sundial

The ivy o'er the mouldering wall
Spreads like a tree, the growth of years:
The wild wind through the doorless hall
A melancholy music rears,
A solitary voice, that sighs
O'er man's forgotten pageantries.
Above the central gate, the clock,
Through clustering ivy dimly seen,
Seems, like the ghost of Time, to mock
The wrecks of power that once has been.
The hands are rusted on its face;
Even where they ceased, in years gone by,
To keep the flying moments pace;
Fixing, in Fancy's thoughtful eye,

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