Break off! Dance no more!
Danger is at the door.
Music is in arms.
To signal war's alarms.

Hark, a sudden trumpet calling
Over the hill!
Why are you calling, trumpet, calling?
What is your will?

Men, men, men !
Men who are ready to fight
For their country's life, and the right
Of a liberty-loving land to be
Free, free, free!
Free from a tyrant's chain,
Free from dishonor's stain,
Free to guard and maintain
All that her fathers fought for,
All that her sons have wrought for,

Remember the Glories of Brien the Brave


Remember the glories of Brien the brave,
Though the days of the hero are o'er,
Though lost to Mononia and cold to the grave,
He returns to Kinkora no more.
That star of the field, which so often hath pour'd
Its beam on the battle, is set;
But enough of its glory remains on each sword,
To light us to victory yet.

Mononia! when Nature embellish'd the tint
Of thy fields, and thy mountains so fair,
Did she ever intend that a tyrant should print

In anguish we uplift
A new unhallowed song:
The race is to the swift;
The battle to the strong.

Of old it was ordained
That we, in packs like curs,
Some thirty million trained
And licensed murderers,

In crime should live and act,
If cunning folk say sooth
Who flay the naked fact
And carve the heart of truth.

The rulers cry aloud,
"We cannot cancel war,
The end and bloody shroud
Of wrongs the worst abhor,
And order's swaddling band:
Know that relentless strife
Remains by sea and land

To Ezra Pound

These are the names of the companies that have made
money from this war
nineteenhundredsixtyeight Annodomini fourthousand
eighty Hebraic
These are the Corporations who have profited by merchan-
dising skinburning phosphorous or shells fragmented
to thousands of fleshpiercing needles
and here listed money millions gained by each combine for
manufacture
and here are gains numbered, index'd swelling a decade, set
in order,
here named the Fathers in office in these industries, tele-
phones directing finance,

An account of books 16-19 of the Iliad by Homer.

Down on your knees, Achilles. Farther down.
Now forward on your hands and put your face into the dirt,
And scrub it to and fro.
Grief has you by the hair with one
And with the forceps of its other hand
Uses your mouth to trowel the dogshit up;
Watches you lift your arms to Heaven; and then
Pounces and screws your nose into the filth.
Gods have plucked drawstrings from your head,
And from the templates of your upper lip
Modelled their bows.
Not now. Not since

"This war is a terrible thing," he said,
"With its countless numbers of needless dead;
A futile warfare it seems to me,
Fought for no principle I can see.
Alas, that thousands of hearts should bleed
For naught but a tyrant's boundless greed!"

* * * *

Said the wholesale grocer, in righteous mood,
As he went to adulterate salable food.

Spake as follows the merchant king:
"Isn't this war a disgusting thing?
Heartless, cruel, and useless, too;
It doesn't seem that it can be true.

Pond snipe, bleached pine, rue weed, wart --
I walk by sedge and brown river rot
to where the old lake boats went daily out.
All the ships are gone, the gray wharf fallen
in upon itself. Even the channel's
grown over. Once we set sail here
for Bob-Lo, the Brewery Isles, Cleveland.
We would have gone as far as Niagara
or headed out to open sea if the Captain
said so, but the Captain drank. Blood-eyed
in the morning, coffee shaking in his hand,
he'd plead to be put ashore or drowned,
but no one heard. Enormous in his long coat,

This is the house of Bedlam.

This is the man
that lies in the house of Bedlam.

This is the time
of the tragic man
that lies in the house of Bedlam.

This is a wristwatch
telling the time
of the talkative man
that lies in the house of Bedlam.

This is a sailor
wearing the watch
that tells the time
of the honored man
that lies in the house of Bedlam.

This is the roadstead all of board
reached by the sailor
wearing the watch
that tells the time
of the old, brave man

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,

In two large columns on thy motley page
Where Roman wit is strip'd with English rage;
Where ribaldry to satire makes pretence,
And modern scandal rolls with ancient sense:
Whilst on one side we see how Horace thought,
And on the other how he never wrote;
Who can believe, who view the bad, the good,
That the dull copyist better understood
That spirit he pretends to imitate,
Than heretofore that Greek he did translate?
Thine is just such an image of his pen,
As thou thyself art of the sons of men,