Palacio, good friend,
is spring there
showing itself on branches of black poplars
by the roads and river? On the steeps
of the high Duero, spring is late,
but so soft and lovely when it comes!
Are there a few new leaves
on the old elms?
The acacias must still be bare,
and the mountain peaks snow-filled.
Oh the massed pinks and whites
of Moncayo, massed up there,
beauty, in the sky of Aragon!
Are there brambles flowering,
among the grey stones,
and white daisies,
in the thin grass?

On the belltowers

For brave comportment, wit without offence,
Words fully flowing, yet of influence,
Thou art that man of men, the man alone
Worthy the public admiration;
Who with thine own eyes read'st what we do write,
And giv'st our numbers euphony and weight;
Tell'st when a verse springs high; how understood
To be, or not, born of the royal blood
What state above, what symmetry below,
Lines have, or should have, thou the best can show:--
For which, my Charles, it is my pride to be,
Not so much known, as to be loved of thee:--

For brave comportment, wit without offence,
Words fully flowing, yet of influence:
Thou art that man of men, the man alone,
Worthy the public admiration:
Who with thine own eyes read'st what we do write,
And giv'st our numbers euphony, and weight.
Tell'st when a verse springs high, how understood
To be, or not born of the Royal blood.
What state above, what symmetry below,
Lines have, or should have, thou the best canst show.
For which (my Charles) it is my pride to be,
Not so much known, as to be loved by thee.

Haydon! forgive me that I cannot speak
Definitively of these mighty things;
Forgive me, that I have not eagle's wings,
That what I want I know not where to seek,
And think that I would not be over-meek,
In rolling out upfollowed thunderings,
Even to the steep of Heliconian springs,
Were I of ample strength for such a freak.
Think, too, that all these numbers should be thine;
Whose else? In this who touch thy vesture's hem?
For, when men stared at what was most divine
With brainless idiotism and o'erwise phlegm,

What is the gift we have given thee, Sister?
What is the trust we have laid in thy hand?
Hearts of our bravest, our best, and our dearest,
Blood of our blood we have sown in thy land.

What for all time will the harvest be, Sister?
What will spring up from the seed that is sown?
Freedom and peace and goodwill among Nations,
Love that will bind us with love all our own.

Bright is the path that is opening before us,
Upward and onward it mounts through the night:
Sword shall not sever the bonds that unite us

When April woke the drowsy flowers,
And vagrant odors thronged the breeze,
And bluebirds wrangled in the bowers,
And daisies flashed along the leas,
And faint arbutus strove among
Dead winter's leaf-strewn wreck to rise,
And nature's sweetly jubilant song
Went murmuring up the sunny skies,
Into this cheerful world you came,
And gained by right your vernal name.

I think the springs have changed of late,
For "Arctics" are my daily wear,
The skies are turned to cold gray slate,
And zephyrs are but draughts of air;

Farrar, when o’er Goodwin’s page
Late I found thee poring,
From the hydrostatic Sage
Leaky Memory storing,
Or when groaning yesterday
Needlessly distracted
By some bright erratic ray,
Through a sphere refracted,—

Then the quick words, oft suppressed,
In my fauces fluttered;
Thoughts not yet in language drest
Pleasing to be uttered.
He that neatly gilds the pill
Hides the drug but vainly,
So, in chance-sown words, I will
Speak the matter plainly.

Men there are, whose patient minds,
In one object centred,

The green grass is growing,
The morning wind is in it,
'Tis a tune worth the knowing,
Though it change every minute.

'Tis a tune of the spring,
Every year plays it over,
To the robin on the wing,
To the pausing lover.

O'er ten thousand thousand acres
Goes light the nimble zephyr,
The flowers, tiny feet of shakers,
Worship him ever.

Hark to the winning sound!
They summon thee, dearest,
Saying; "We have drest for thee the ground,
Nor yet thou appearest.

"O hasten, 'tis our time,
Ere yet the red summer

Wherefore drag me to yon glittering eddy,

With resistless might?
Was I, then, not truly blest already

In the silent night?

In my secret chamber refuge taking,

'Neath the moon's soft ray,
And her awful light around me breaking,

Musing there I lay.

And I dream'd of hours with joy o'erflowing,

Golden, truly blest,
While thine image so beloved was glowing

Deep within my breast.

Now to the card-table hast thou bound me,

'Midst the torches glare?
Whilst unhappy faces are around me,

To be in love
Is to touch with a lighter hand.
In yourself you stretch, you are well.
You look at things
Through his eyes.
A cardinal is red.
A sky is blue.
Suddenly you know he knows too.
He is not there but
You know you are tasting together
The winter, or a light spring weather.
His hand to take your hand is overmuch.
Too much to bear.
You cannot look in his eyes
Because your pulse must not say
What must not be said.
When he
Shuts a door-
Is not there
Your arms are water.