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Unrecorded

I like to think of the many words
The Master in his early days
Must have spoken to them of Nazareth­
Words not freighted with life and death,
Piercing through soul and heart like swords.
But gracious greeting and grateful phrase,
The simple speech
That plain folk utter each to each.

Ere over him too darkly lay
The prophet shadow of Calvary,
I think he talked in very truth
With the innocent gayety of youth,
Laughing upon some festal day,
Gently, with sinless boyhood's glee.

I think if he had ever said

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Under the Waterfall

'Whenever I plunge my arm, like this,
In a basin of water, I never miss
The sweet sharp sense of a fugitive day
Fetched back from its thickening shroud of gray.
Hence the only prime
And real love-rhyme
That I know by heart,
And that leaves no smart,
Is the purl of a little valley fall
About three spans wide and two spans tall
Over a table of solid rock,
And into a scoop of the self-same block;
The purl of a runlet that never ceases
In stir of kingdoms, in wars, in peaces;
With a hollow boiling voice it speaks

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Uncle Ananias

His words were magic and his heart was true,
And everywhere he wandered he was blessed.
Out of all ancient men my childhood knew
I choose him and I mark him for the best.
Of all authoritative liars, too,
I crown him loveliest.

How fondly I remember the delight
That always glorified him in the spring;
The glorious profusion and the benedight
Profusion of his faith in everything!
He was a good old man, and it was right
That he should have his fling.

And often, underneath the apple trees,

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Tz'u No. 9 Weary

To the tune of "Rinsing Silk Stream"

Saddened by the dying spring, I am too weary
to rearrange my hair.
Plum flowers, newly fallen, drift about the courtyard
in the evening wind.
The moon looks pale and light clouds float
to and fro.

Incense lies idle in the jade duck-shaped burner.
The cherry-red bed-curtain is drawn close,
concealing its tassels.
Can Tung-Hsi's horn still ward off the cold?

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Tz'u No. 8

To the tune of "Rinsing Silk Stream"

My courtyard is small, windows idle,
spring is getting old.
Screens unrolled cast heavy shadows.
In my upper-story chamber, speechless,
I play on my jasper lute.

Clouds rising from distant mountains
hasten the fall of dusk.
Gentle wind and drizzling rain
cause a pervading gloom.
Pear blossoms can hardly keep from withering,
but droop.

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Tz'u No. 6 Waiting For You

To the tune of "Red Lips"

Lonely in my secluded chamber,
A thousand sorrows fill every inch
of my sensitive being.

Regretting that spring has so soon passed,
That rain drops have hastened the falling followers,
I lean over the balustrade,
Weary and depressed.

Where is my beloved?

Only the fading grassland
stretches endlessly toward the horizon;
Anxiously I watch the road for your return.

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Tz'u No. 17 He Is Gone

To the tune of "Wu Ling Spring"

Wind ceased, the dust is scented
with the fallen flowers.
Though day is getting late, I am too weary
to attend to my hair.
Things remain as ever, yet he is here no more,
and all is finished.
Fain would I speak, but tears flow first.

They say that at the Twin Brooks
spring is still fair.
I, too, wish to row a boat there.
But I am afraid that the little skiff
on the Twin Brooks
Could not bear the heavy load of my grief.

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Two Lovers

Two lovers by a moss-grown spring:
They leaned soft cheeks together there,
Mingled the dark and sunny hair,
And heard the wooing thrushes sing.
O budding time!
O love's blest prime!

Two wedded from the portal stept:
The bells made happy carolings,
The air was soft as fanning wings,
White petals on the pathway slept.
O pure-eyed bride!
O tender pride!

Two faces o'er a cradle bent:
Two hands above the head were locked:
These pressed each other while they rocked,
Those watched a life that love had sent.

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Two Graves

First Ghost

To sepulcher my mouldy bones
I bough a pile of noble stones,
And half a year a sculptor spent
To hew my marble monument,
The stateliest to rear its head
In all this city of the dead.

And generations passing through
Will gape, and ask: What did he do
To earn this tomb so rich and rare,
In Attic grace beyond compare?
How was his life in honour spent,
To worthy this proud monument?

What did I do" Well, nothing much.
'Tis true I had the Midas touch.
A million pounds I made wherewith

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