You are over there, Father Malloy,
Where holy ground is, and the cross marks every grave,
Not here with us on the hill --
Us of wavering faith, and clouded vision
And drifting hope, and unforgiven sins.
You were so human, Father Malloy,
Taking a friendly glass sometimes with us,
Siding with us who would rescue Spoon River
From the coldness and the dreariness of village morality.
You were like a traveler who brings a little box of sand
From the wastes about the pyramids
And makes them real and Egypt real.

Of old our father's God was real,
Something they almost saw,
Which kept them to a stern ideal
And scourged them into awe.

They walked the narrow path of right
Most vigilantly well,
Because they feared eternal night
And boiling depths of Hell.

Now Hell has wholly boiled away
And God become a shade.
There is no place for him to stay
In all the world He made.

The followers of William James
Still let the Lord exist,
And call Him by imposing names,
A venerable list.
But nerve and muscle only count,

It goes on being Alexandria still. Just walk a bit
along the straight road that ends at the Hippodrome
and you'll see palaces and monuments that will amaze you.
Whatever war-damage it's suffered,
however much smaller it's become,
it's still a wonderful city.
And then, what with excursions and books
and various kinds of study, time does go by.
In the evenings we meet on the sea front,
the five of us (all, naturally, under fictitious names)
and some of the few other Greeks
still left in the city.
Sometimes we discuss church affairs

They sent you in to say farewell to me,
No, do not shake your head; I see your eyes
That shine with tears. Sappho, you saw the sun
Just now when you came hither, and again,
When you have left me, all the shimmering
Great meadows will laugh lightly, and the sun
Put round about you warm invisible arms
As might a lover, decking you with light.
I go toward darkness tho' I lie so still.
If I could see the sun, I should look up
And drink the light until my eyes were blind;
I should kneel down and kiss the blades of grass,

Oh darling Eric, why did you
For my fond affection sue,
And then with surgeons artful aid
Transform yourself into a maid?
So now in petticoats you go
And people call you Erico.
II
Sometimes I wonder if they can
Change me in turn into a man;
Then after all we might get wed
And frolic on a feather bed:
Although I do not see how we
Could ever have a family.
III
Oh dear! Oh dear! It's so complex.
Why must they meddle with our sex.
My Eric was a handsome 'he,'
But now he--oh excuse me--she
Informs me that I must forget

Those blessèd structures, plot and rhyme--
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter's vision is not a lens,
it trembles to caress the light.
But sometimes everything I write
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All's misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun's illumination

How many times, during the twenty years
I was your leader, friends of Spoon River,
Did you neglect the convention and caucus,
And leave the burden on my hands
Of guarding and saving the people's cause? --
Sometimes because you were ill;
Or your grandmother was ill;
Or you drank too much and fell asleep;
Or else you said: "He is our leader,
All will be well; he fights for us;
We have nothing to do but follow."
But oh, how you cursed me when I fell,
And cursed me, saying I had betrayed you,
In leaving the caucus room for a moment,

EMILY JANE was a nursery maid,
JAMES was a bold Life Guard,
JOHN was a constable, poorly paid
(And I am a doggerel bard).

A very good girl was EMILY JANE,
JIMMY was good and true,
JOHN was a very good man in the main
(And I am a good man too).

Rivals for EMMIE were JOHNNY and JAMES,
Though EMILY liked them both;
She couldn't tell which had the strongest claims
(And I couldn't take my oath).

But sooner or later you're certain to find
Your sentiments can't lie hid -
JANE thought it was time that she made up her mind

I looked like Abraham Lincoln.
I was one of you, Spoon River, in all fellowship,
But standing for the rights of property and for order.
A regular church attendant,
Sometimes appearing in your town meetings to warn you
Against the evils of discontent and envy,
And to denounce those who tried to destroy the Union,
And to point to the peril of the Knights of Labor.
My success and my example are inevitable influences
In your young men and in generations to come,
In spite of attacks of newspapers like the Clarion;
A regular visitor at Springfield,

That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely