Happy is England! I could be content
To see no other verdure than its own;
To feel no other breezes than are blown
Through its tall woods with high romances blent;
Yet do I sometimes feel a languishment
For skies Italian, and an inward groan
To sit upon an Alp as on a throne,
And half forget what world or worldling meant.
Happy is England, sweet her artless daughters;
Enough their simple loveliness for me,
Enough their whitest arms in silence clinging;
Yet do I often warmly burn to see
Beauties of deeper glance, and hear their singing,

The butcher knife goes in, first, at the top
And carves out the round stemmed lid,
The hole of which allows the hand to go
In to pull the gooey mess inside, out -
The walls scooped clean with a spoon.
A grim design decided on, that afternoon,
The eyes are the first to go,
Isosceles or trapezoid, the square nose,
The down-turned mouth with three
Hideous teeth and, sometimes,
Round ears. At dusk it's
Lighted, the room behind it dark.
Outside, looking in, it looks like a
Pumpkin, it looks like ripeness
Is all. Kids come, beckoned by

I never had you, nor will I ever have you
I suppose. A few words, an approach
as in the bar yesterday, and nothing more.
It is, undeniably, a pity. But we who serve Art
sometimes with intensity of mind, and of course only
for a short while, we create pleasure
which almost seems real.
So in the bar the day before yesterday -- the merciful alcohol
was also helping much --
I had a perfectly erotic half-hour.
And it seems to me that you understood,
and stayed somewhat longer on purpose.
This was very necessary. Because

In an immense wood in the south of Kent,
There lived a band of robbers which caused the people discontent;
And the place they infested was called the Weald,
Where they robbed wayside travellers and left them dead on the field.

Their leader was called Grif, of the Bloody Hand,
And so well skilled in sword practice there's few could him withstand;
And sometimes they robbed villages when nothing else could be gained,
In the year of 1336, when King Edward the III. reigned.

The dress the robbers wore was deep coloured black,

Greenland's icy mountains are fascinating and grand,
And wondrously created by the Almighty's command;
And the works of the Almighty there's few can understand:
Who knows but it might be a part of Fairyland?

Because there are churches of ice, and houses glittering like glass,
And for scenic grandeur there's nothing can it surpass,
Besides there's monuments and spires, also ruins,
Which serve for a safe retreat from the wild bruins.

And there's icy crags and precipices, also beautiful waterfalls,

God has pity on kindergarten children,
He pities school children -- less.
But adults he pities not at all.

He abandons them,
And sometimes they have to crawl on all fours
In the scorching sand
To reach the dressing station,
Streaming with blood.

But perhaps
He will have pity on those who love truly
And take care of them
And shade them
Like a tree over the sleeper on the public bench.

Perhaps even we will spend on them
Our last pennies of kindness
Inherited from mother,

Always be drunk.
That's it!
The great imperative!
In order not to feel
Time's horrid fardel
bruise your shoulders,
grinding you into the earth,
Get drunk and stay that way.
On what?
On wine, poetry, virtue, whatever.
But get drunk.
And if you sometimes happen to wake up
on the porches of a palace,
in the green grass of a ditch,
in the dismal loneliness of your own room,
your drunkenness gone or disappearing,
ask the wind,
the wave,
the star,
the bird,
the clock,
ask everything that flees,

sometimes you climb out of bed in the morning and you think,
I'm not going to make it, but you laugh inside
remembering all the times you've felt that way, and
you walk to the bathroom, do your toilet, see that face
in the mirror, oh my oh my oh my, but you comb your hair anyway,
get into your street clothes, feed the cats, fetch the
newspaper of horror, place it on the coffee table, kiss your
wife goodbye, and then you are backing the car out into life itself,
like millions of others you enter the arena once more.

When your marrer bone seems 'oller,
And you're glad you ain't no taller,
And you're all a-shakin' like you 'ad the chills;
When your skin creeps like a pullet's,
And you're duckin' all the bullets,
And you're green as gorgonzola round the gills;
When your legs seem made of jelly,
And you're squeamish in the belly,
And you want to turn about and do a bunk:
For Gawd's sake, kid, don't show it!
Don't let your mateys know it --
You're just sufferin' from funk, funk, funk.
II
Of course there's no denyin'

But, lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts and neighs aloud;
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
The iron bit he crushes 'tween his teeth
Controlling what he was controlled with.