My garden hath a slender path
With ivy overgrown,
A secret place where once would pace
A pot all alone;
I see him now with fretted brow,
Plunged deep in thought;
And sometimes he would write maybe,
And sometimes he would not.

A verse a day he used to say
Keeps worry from the door;
Without the stink of printer's ink
How life would be a bore!
And so from chime of breakfast time
To supper he would beat
The pathway flat, a mossy mat
For his poetic feet.

He wrote, I'm told, of gods of old
And mythologic men;

Sometimes I tremble like a storm-swept flower,
And seek to hide my tortured soul from thee.
Bowing my head in deep humility
Before the silent thunder of thy power.
Sometimes I flee before thy blazing light,
As from the specter of pursuing death;
Intimidated lest thy mighty breath,
Windways, will sweep me into utter night.
For oh, I fear they will be swallowed up--
The loves which are to me of vital worth,
My passion and my pleasure in the earth--
And lost forever in thy magic cup!
I fear, I fear my truly human heart

About the size of an old-style dollar bill,
American or Canadian,
mostly the same whites, gray greens, and steel grays
-this little painting (a sketch for a larger one?)
has never earned any money in its life.
Useless and free., it has spent seventy years
as a minor family relic handed along collaterally to owners
who looked at it sometimes, or didn't bother to.

It must be Nova Scotia; only there
does one see abled wooden houses
painted that awful shade of brown.
The other houses, the bits that show, are white.

And if it snowed and snow covered the drive
he took a spade and tossed it to one side.
And always tucked his daughter up at night
And slippered her the one time that she lied.
And every week he tipped up half his wage.
And what he didn't spend each week he saved.
And praised his wife for every meal she made.
And once, for laughing, punched her in the face.

And for his mum he hired a private nurse.
And every Sunday taxied her to church.
And he blubbed when she went from bad to worse.
And twice he lifted ten quid from her purse.

All day long they come and go--
Pittypat and Tippytoe;
Footprints up and down the hall,
Playthings scattered on the floor,
Finger-marks along the wall,
Tell-tale smudges on the door--
By these presents you shall know
Pittypat and Tippytoe.
How they riot at their play!
And a dozen times a day
In they troop, demanding bread--
Only buttered bread will do,
And the butter must be spread
Inches thick with sugar too!
And I never can say "No,
Pittypat and Tippytoe!"

Phyllis is my only joy,
Faithless as the winds or seas;
Sometimes coming, sometimes coy,
Yet she never fails to please;
If with a frown
I am cast down,
Phyllis smiling,
And beguiling,
Makes me happier than before.

Though, alas! too late I find
Nothing can her fancy fix,
Yet the moment she is kind
I forgive her all her tricks;
Which, though I see,
I can't get free;
She deceiving,
I believing;
What need lovers wish for more?

"DON'T they consult the 'Victims,' though?"
I said. "They should, by rights,
Give them a chance - because, you know,
The tastes of people differ so,
Especially in Sprites."

The Phantom shook his head and smiled.
"Consult them? Not a bit!
'Twould be a job to drive one wild,
To satisfy one single child -
There'd be no end to it!"

"Of course you can't leave CHILDREN free,"
Said I, "to pick and choose:
But, in the case of men like me,
I think 'Mine Host' might fairly be
Allowed to state his views."

Simson settled in the timber when his arm was strong and true,
And his form was straight and limber; and he wrought the long day through
In a struggle, single-handed, and the trees fell slowly back,
Twenty thousand giants banded ’gainst a solitary jack.

Through the fiercest days of summer you might hear his keen axe ring
And re-echo in the ranges, hear his twanging crosscut sing;
There the great gums swayed and whispered, and the birds were skyward blown,
As the circling hills saluted o’er a bush king overthrown.

nothing will keep
us young you know
not young men or
women who spin
their youth on
cool playing sounds.
we are what we
are what we never
think we are.
no more wild geo
graphies of the
flesh. echoes. that
we move in tune
to slower smells.
it is a hard thing
to admit that
sometimes after midnight
i am tired
of it all.

And sometimes I am sorry when the grass
Is growing over the stones in quiet hollows
And the cocksfoot leans across the rutted cart-pass
That I am not the voice of country fellows
Who now are standing by some headland talking
Of turnips and potatoes or young corn
Of turf banks stripped for victory.
Here Peace is still hawking
His coloured combs and scarves and beads of horn.

Upon a headland by a whinny hedge
A hare sits looking down a leaf-lapped furrow
There's an old plough upside-down on a weedy ridge