Slow and reluctant was the long descent,
With many farewell pious looks behind,
And dumb misgivings where the path might wind,
And questionings of nature, as I went.
The greener branches that above me bent,
The broadening valleys, quieted by mind,
To the fair reasons of the Spring inclined
And to the Summer's tender argument.
But sometimes, as revolving night descended,
And in my childish heart the new song ended,
I lay down, full of longing, on the steep;
And, haunting still the lonely way I wended,

In the night there are of course the seven wonders
of the world and the greatness tragedy and enchantment.
Forests collide with legendary creatures hiding in thickets.
There is you.
In the night there are the walker's footsteps the murderer's
the town policeman's light from the street lamp and the ragman's lantern
There is you.
In the night trains go past and boats
and the fantasy of countries where it's daytime. The last breaths
of twilight and the first shivers of dawn.
There is you.
A piano tune, a shout.
A door slams. A clock.

And then I said, That's what it means
to testify: to sit in the locked dark muttering
when you should be dead to the world. The muse
just shrugged and shaded his blue eyes. So naturally
I followed him down to his father's house
by the river, a converted factory in the old
industrial park: somewhere to sit
on threadbare cushions eating my words
and his promises, safe as milk
that dries the throat. If I had a home,
he'd be that unmade bed. He's my America
twisted in dirty sheets, my inspiration
for a sleepless night. No getting around that

"Lord Byron" was an Englishman
A poet I believe,
His first works in old England
Was poorly received.
Perhaps it was "Lord Byron's" fault
And perhaps it was not.
His life was full of misfortunes,
Ah, strange was his lot.
II
The character of "Lord Byron"
Was of a low degree,
Caused by his reckless conduct,
And bad company.
He sprung from an ancient house,
Noble, but poor, indeed.
His career on earth, was marred
By his own misdeeds.
III
Generous and tender hearted,
Affectionate by extreme,

Cat stands at the fridge,
Cries loudly for milk.
But I've filled her bowl.
Wild cat, I say, Sister,
Look, you have milk.
I clink my fingernail
Against the rim. Milk.
With down and liver,
A word I know she hears.
Her sad miaow. She runs
To me. She dips
In her whiskers but
Doesn't drink. As sometimes
I want the light on
When it is on. Or when
I saw the woman walking
toward my house and
I thought there's Frances.
Then looked in the car mirror
To be sure. She stalks
The room. She wants. Milk

My father used to say,
"Superior people never make long visits,
have to be shown Longfellow's grave
nor the glass flowers at Harvard.
Self reliant like the cat --
that takes its prey to privacy,
the mouse's limp tail hanging like a shoelace from its mouth --
they sometimes enjoy solitude,
and can be robbed of speech
by speech which has delighted them.
The deepest feeling always shows itself in silence;
not in silence, but restraint."
Nor was he insincere in saying, "`Make my house your inn'."
Inns are not residences.

When I was cub reporter I
Would interview the Great,
And sometimes they would make reply,
And sometimes hesitate;
But often they would sharply say,
With bushy eyebrows bent:
"Young man, your answer for to-day
Is - No Comment."

Nigh sixty years have called the tune,
And silver is my pate;
No longer do I importune
Important men of state;
But time has made me wise, and so
When button-holed I shake
My head and say: "To-day, I've no
Comment to make."

Oh, silence is a mighty shield,

Standing alone, a study in itself,
How Shakespeare’s volume glorifies my shelf!
For thence his spirit forth on mine has shined,
Like a great morning on the hills of mind.
Sphered in the light of his creative powers,
A wonder-world, inorbing this of ours,
Gathers around us, like the peopled haze
That wraps some roamer in a dream’s wild ways.

Lean fatal hags ride in the troubled air,
And wing’d immortals meet us everywhere;
These of a silken loveliness that shows
Like the dim beauty of a moonlit rose;

I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been

Don't call. Without any summons
I'll reach the shrine.
And droop my head in even silence
To your feet fine.

I will your orders shyly listen
And will remain
To catch our meetings, short and instant,
And wish again.

I fell before your passions' power,
Before its wave,
Sometimes -- a serf; sometimes -- a lover;
Always -- a slave.