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The Quality Of Sprawl

Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image.

Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds.

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The Purist

I give you now Professor Twist,
A conscientious scientist,
Trustees exclaimed, "He never bungles!"
And sent him off to distant jungles.
Camped on a tropic riverside,
One day he missed his loving bride.
She had, the guide informed him later,
Been eaten by an alligator.
Professor Twist could not but smile.
"You mean," he said, "a crocodile."

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The Pumpkin

Oh, greenly and fair in the lands of the sun,
The vines of the gourd and the rich melon run,
And the rock and the tree and the cottage enfold,
With broad leaves all greenness and blossoms all gold,
Like that which o'er Nineveh's prophet once grew,
While he waited to know that his warning was true,
And longed for the storm-cloud, and listened in vain
For the rush of the whirlwind and red fire-rain.

On the banks of the Xenil the dark Spanish maiden
Comes up with the fruit of the tangled vine laden;
And the Creole of Cuba laughs out to behold

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The Psalter

ONCE more permit me, nuns, and this the last;
I can't resist, whatever may have passed,
But must relate, what often I've been told;
Your tales of convent pranks are seldom cold;
They have a grace that no where else we find,
And, somehow, better seem to please designed.
Another then we'll have, which three will make:--
Three did I say?-'tis four, or I mistake;
Let's count them well:-The GARD'NER first, we'll name;
Then comes the ABBESS, whose declining frame
Required a youth, her malady to cure
A story thought, perhaps, not over pure;

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The Progress Of Wit

DIVERTING in extreme there is a play,
Which oft resumes its fascinating sway;
Delights the sex, or ugly, fair, or sour;
By night or day:--'tis sweet at any hour.
The frolick, ev'ry where is known to fame;
Conjecture if you can, and tells its name.

THIS play's chief charm to husbands is unknown;
'Tis with the lover it excels alone;
No lookers-on, as umpires, are required;
No quarrels rise, though each appears inspired;
All seem delighted with the pleasing game:--
Conjecture if you can, and tell its name.

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The Problem

I like the church; I like a cowl;
I love a prophet of the soul;
And on my heart monastic aisles
Fall like sweet strains, or pensive smiles;
Yet not for all his faith can see
Would I that cowlèd churchman be.

Why should the vest on him allure,
Which I could not on me endure?

Not from a vain or shallow thought
His awful Jove young Phidias brought;
Never from lips of cunning fell
The thrilling Delphic oracle;
Out from the heart of nature rolled
The burdens of the Bible old;
The litanies of nations came,

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The Prisoner of Chillon

My hair is grey, but not with years,
Nor grew it white
In a single night,
As men's have grown from sudden fears:
My limbs are bow'd, though not with toil,
But rusted with a vile repose,
For they have been a dungeon's spoil,
And mine has been the fate of those
To whom the goodly earth and air
Are bann'd, and barr'd--forbidden fare;
But this was for my father's faith
I suffer'd chains and courted death;
That father perish'd at the stake
For tenets he would not forsake;

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The Prisoner

Upspoke the culprit at the bar,
Conducting his own case:
'Your Lordship, I have gone to far,
But grant me of your grace.
As I was passing by a shop
I saw my arm go out,
And though I begged of it to stop,
It stole beyond a doubt.

'But why should my whole body be
Condemned to dungeon grim,
For what in fact was only the
Transgression of a limb?
So here before the Court I stand,
And beg in Justice' name:
Please penalise my arm and hand,

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The Prison Bell

Hark to the bell of sorrow! - 'tis awak'ning up again
Each broken spirit from its brief forgetfulness of pain.
Its sad sound seems to me to be a deathwail from the past,
An elegy for buried joys too pure and bright to last.
It haunts me like an echo from the dark depths of despair,
And conjures up the fiend-like forms of misery and care;
The saddest of the sorrowful, its tones bright dreams dispel,
For waking woes are summoned by the harsh-toned prison bell.

It tells me that I am not now what once I used to be,

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The Prince's Progress excerpt

"Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate.
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.

"Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:

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