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The Slave's Dream

Beside the ungathered rice he lay,
His sickle in his hand;
His breast was bare, his matted hair
Was buried in the sand.
Again, in the mist and shadow of sleep,
He saw his Native Land.

Wide through the landscape of his dreams
The lordly Niger flowed;
Beneath the palm-trees on the plain
Once more a king he strode;
And heard the tinkling caravans
Descend the mountain-road.

He saw once more his dark-eyed queen
Among her children stand;
They clasped his neck, they kissed his cheeks,
They held him by the hand!--

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The Slave Mother

Heard you that shriek? It rose
So wildly on the air,
It seemed as if a burden'd heart
Was breaking in despair.

Saw you those hands so sadly clasped --
The bowed and feeble hand --
The shuddering of that fragile form --
That look of grief and dread?

Saw you the sad, imploring eye?
Its every glance was pain,
As if a storm of agony
Were sweeping through the brain.

She is a mother, pale with fear,
Her boy clings to her side,
And in her kirtle vainly tries
His trembling form to hide.

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The Skylark

The rolls and harrows lie at rest beside
The battered road; and spreading far and wide
Above the russet clods, the corn is seen
Sprouting its spiry points of tender green,
Where squats the hare, to terrors wide awake,
Like some brown clod the harrows failed to break.
Opening their golden caskets to the sun,
The buttercups make schoolboys eager run,
To see who shall be first to pluck the prize -
Up from their hurry, see, the skylark flies,
And o'er her half-formed nest, with happy wings
Winnows the air, till in the cloud she sings,

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The Skies

Ay! gloriously thou standest there,
Beautiful, boundless firmament!
That swelling wide o'er earth and air,
And round the horizon bent,
With thy bright vault, and sapphire wall,
Dost overhang and circle all.

Far, far below thee, tall old trees
Arise, and piles built up of old,
And hills, whose ancient summits freeze,
In the fierce light and cold.
The eagle soars his utmost height,
Yet far thou stretchest o'er his flight.

Thou hast thy frowns--with thee on high,
The storm has made his airy seat,

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The Skeleton in Armor

"Speak! speak! thou fearful guest!
Who, with thy hollow breast
Still in rude armor drest,
Comest to daunt me!
Wrapt not in eastern balms,
But with thy fleshless palms
Stretched, as if asking alms,
Why dost thou haunt me?"

Then from those cavernous eyes
Pale flashes seemed to rise,
As when the northern skies
Gleam in December;
And, like the water's flow
Under December's snow,
Came a dull voice of woe
From the heart's chamber.

"I was a Viking old!
My deeds, though manifold,

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The Singer

Did you attend? He sang by grove ripe -
The bard of love, the singer of his mourning.
When fields were silent by the early morning,
To sad and simple sounds of a pipe
Did you attend?

Did you behold in dark of forest leaf
The bard of love, the singer of his sadness?
The trace of tears, the smile, the utter paleness,
The quiet look, full of eternal grief,
Did you behold?

Then did you sigh when hearing how cries
The bard of love, the singer of his dole?
When in the woods you saw the young man, sole,

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The Signboard

I will paint you a sign, rumseller,
And hang it above your door;
A truer and better signboard
Than ever you had before.
I will paint with the skill of a master,
And many shall pause to see
This wonderful piece of painting,
So like the reality.

I will paint yourself, rumseller,
As you wait for that fair young boy,
Just in the morning of manhood,
A mother’s pride and joy.
He has no thought of stopping,
But you greet him with a smile
And you seem so blithe and friendly,
That he pauses a chat awhile.

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The Shrubbery, Written in a Time of Affliction

Oh happy shades--to me unblest!
Friendly to peace, but not to me!
How ill the scene that offers rest,
And heart that cannot rest, agree!
This glassy stream, that spreading pine,
Those alders quiv'ring to the breeze,
Might sooth a soul less hurt than mine,
And please, if any thing could please.

But fix'd unalterable care
Foregoes not what she feels within,
Shows the same sadness ev'rywhere,
And slights the season and the scene.

For all that pleas'd in wood or lawn,

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The Shooting of John Dillinger Outside the Biograph Theater, July 22, 1934

Chicago ran a fever of a hundred and one that groggy Sunday.
A reporter fried an egg on a sidewalk; the air looked shaky.
And a hundred thousand people were in the lake like shirts in
a laundry.
Why was Johnny lonely?
Not because two dozen solid citizens, heat-struck, had keeled
over backward.
Not because those lawful souls had fallen out of their sockets
and melted.
But because the sun went down like a lump in a furnace or a
bull in the Stockyards.
Where was Johnny headed?
Under the Biograph Theater sign that said, "Our Air is

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The Ship That Never Returned

On a summer's day while the waves were rippling, with a quiet and a gentle breeze;
A ship set sail with a cargo laden for a port beyond the sea.

Did she ever return? No, she never returned, and her fate is still unlearned,
But a last poor man set sail commander, on a ship that never returned.

There were sad farewells, there were friends forsaken, and her fate is still unlearned,
But a last poor man set sail commander on a ship that never returned.

Did she ever return? No, she never returned, and her fate is still unlearned,

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