[In many English churches before the Reformation there was kept a little lamp continually burning, called the Lamp of Poor Souls. People were reminded thereby to pray for the souls of those dead whose kinsfolk were too poor to pay for prayers and masses.]


Above my head the shields are stained with rust,
The wind has taken his spoil, the moth his part;
Dust of dead men beneath my knees, and dust,
Lord, in my heart.

Lay Thou the hand of faith upon my fears;
The priest has prayed, the silver bell has rung,
But not for him. O unforgotten tears,

I hear that the Commune di Padova has an exhibition of master-
pieces from Giotto to Mantegna. Giotto is the master of angels, and
Mantegna is the master of the dead Christ, one of the few human
beings who seems to have understood that Christ did indeed come
down from the cross after all, in response to the famous jeering
invitation, and that the Christ who came down was a cadaver. Man-
tegna's dead Christ looks exactly like a skidroad bum fished by the
cops out of the Mississippi in autumn just before daylight and hurried

I.
Now that I, tying thy glass mask tightly,
May gaze thro' these faint smokes curling whitely,
As thou pliest thy trade in this devil's-smithy---
Which is the poison to poison her, prithee?

II.
He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!---I am here.

III
Grind away, moisten and mash up thy paste,
Pound at thy powder,---I am not in haste!

ANCIEN RGIME.

I.

Now that I, tying thy glass mask tightly,
May gaze thro' these faint smokes curling whitely,
As thou pliest thy trade in this devil's-smithy---
Which is the poison to poison her, prithee?

II.

He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!---I am here.

III.

Grind away, moisten and mash up thy paste,
Pound at thy powder,---I am not in haste!

The stars, a jolly company,
I envied, straying late and lonely;
And cried upon their revelry:
"O white companionship! You only
In love, in faith unbroken dwell,
Friends radiant and inseparable!"

Light-heart and glad they seemed to me
And merry comrades (EVEN SO
GOD OUT OF HEAVEN MAY LAUGH TO SEE
THE HAPPY CROWDS; AND NEVER KNOW
THAT IN HIS LONE OBSCURE DISTRESS
EACH WALKETH IN A WILDERNESS).

But I, remembering, pitied well
And loved them, who, with lonely light,
In empty infinite spaces dwell,

I wish I could remember the names
of these two old guys I used to see
when I was a kid and spent my summers
in Rockaway which was known as The Irish Riviera
one of them played the fiddle the other played
the accordion and I think one of them wore
a top hat they just wandered in and out of bars
playing for drinks they were like bums
but I still remember how fine they sounded

[from Irish Musicians/American Friends, Coffee House Press, 1985]

Ye mountains and glens of Old Ireland,
I've returned home to ye again;
During my absence from ye
My heart always felt great pain.

Oh, how I long'd to see you dear Nora,
And the old folks at home;
And the beautiful Lakes o' Killarney,
Where we oft together did roam.

Ye beautiful Lakes of Killarney,
Ye are welcome to me again;
I will now reform my character,
And from all bad company refrain.

Oh, how I have long'd to see my old father
And my mother dearer than all;
And my favourite dog Charlie

Good people of Dundee, your voices raise,
And to Miss Baxter give great praise;
Rejoice and sing and dance with glee,
Because she has founded a College in Bonnie Dundee.

Therefore loudly in her praise sing,
And make Dundee with your voices ring,
And give honour to whom honour is due,
Because ladies like her are very few.

'Twas on the 5th day of October, in the year of 1883,
That the University College was opened in Dundee,
And the opening proceedings were conducted in the College Hall,

As evening falls,
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live to-night, where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end. . . .

Take my arm, then, you or you or you,
And let us walk abroad on the solid air:

No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me