We hear a great commotion
'Bout the ship that comes to grief,
That founders in mid-ocean,
Or is driven on a reef;
Because it's cheap and brittle
A score of sinners drown.
But we hear but mighty little
Of the ships that won't go down.

Here's honour to the builders –
The builders of the past;
Here's honour to the builders
That builded ships to last;
Here's honour to the captain,
And honour to the crew;
Here's double-column headlines
To the ships that battle through.

They make a great sensation

I

Now it is autumn and the falling fruit
and the long journey towards oblivion.

The apples falling like great drops of dew
to bruise themselves an exit from themselves.

And it is time to go, to bid farewell
to one's own self, and find an exit
from the fallen self.

II

Have you built your ship of death, O have you?
O build your ship of death, for you will need it.

The grim frost is at hand, when the apples will fall
thick, almost thundrous, on the hardened earth.

Soothing his Passions with a warb'ling Sound,
A Shepherd-Swain lay stretch'd upon the Ground;
Whilst all were mov'd, who their Attention lent,
Or with the Harmony in Chorus went,
To something less than Joy, yet more than dull Content.
(Between which two Extreams true Pleasure lies,
O'er-run by Fools, unreach'd-at by the Wise )
But yet, a fatal Prospect to the Sea
Wou'd often draw his greedy Sight away.
He saw the Barques unlading on the Shore,
And guess'd their Wealth, then scorn'd his little Store.

"What is that great bird, sister, tell me,
Perched high on the top of the crag?"
"'T is the cormorant, dear little brother;
The fishermen call it the shag."

"But what does it there, sister, tell me,
Sitting lonely against the black sky?"
"It has settled to rest, little brother;
It hears the wild gale wailing high."

"But I am afraid of it, sister,
For over the sea and the land
It gazes, so black and so silent!"
"Little brother, hold fast to my hand."

"Oh, what was that, sister? The thunder?

Modern Machinery
We were taken from the ore-bed and the mine,
We were melted in the furnace and the pit--
We were cast and wrought and hammered to design,
We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
And a thousandth of an inch to give us play:
And now, if you will set us to our task,
We will serve you four and twenty hours a day!

We can pull and haul and push and lift and drive,
We can print and plough and weave and heat and light,
We can run and race and swim and fly and dive,

Modern Machinery
We were taken from the ore-bed and the mine,
We were melted in the furnace and the pit--
We were cast and wrought and hammered to design,
We were cut and filed and tooled and gauged to fit.
Some water, coal, and oil is all we ask,
And a thousandth of an inch to give us play:
And now, if you will set us to our task,
We will serve you four and twenty hours a day!

We can pull and haul and push and lift and drive,
We can print and plough and weave and heat and light,

Where are your monuments, your battles, martyrs?
Where is your tribal memory? Sirs,
in that gray vault. The sea. The sea
has locked them up. The sea is History.

First, there was the heaving oil,
heavy as chaos;
then, likea light at the end of a tunnel,

the lantern of a caravel,
and that was Genesis.
Then there were the packed cries,
the shit, the moaning:

Exodus.
Bone soldered by coral to bone,
mosaics
mantled by the benediction of the shark's shadow,

that was the Ark of the Covenant.

THE SEA! the sea! the open sea!
The blue, the fresh, the ever free!
Without a mark, without a bound,
It runneth the earth’s wide regions round;
It plays with the clouds; it mocks the skies;
Or like a cradled creature lies.

I ’m on the sea! I ’m on the sea!
I am where I would ever be;
With the blue above, and the blue below,
And silence wheresoe’er I go;
If a storm should come and awake the deep,
What matter? I shall ride and sleep.

I love, O, how I love to ride

When sunset, a brass gong,
vibrate through Couva,
is then I see my soul, swiftly unsheathed,
like a white cattle bird growing more small
over the ocean of the evening canes,
and I sit quiet, waiting for it to return
like a hog-cattle blistered with mud,
because, for my spirit, India is too far.
And to that gong
sometimes bald clouds in saffron robes assemble
sacred to the evening,
sacred even to Ramlochan,
singing Indian hits from his jute hammock
while evening strokes the flanks
and silver horns of his maroon taxi,

I.
I stand on the mark beside the shore
Of the first white pilgrim's bended knee,
Where exile turned to ancestor,
And God was thanked for liberty.
I have run through the night, my skin is as dark,
I bend my knee down on this mark . . .
I look on the sky and the sea.

II.
O pilgrim-souls, I speak to you!
I see you come out proud and slow
From the land of the spirits pale as dew. . .
And round me and round me ye go!
O pilgrims, I have gasped and run
All night long from the whips of one
Who in your names works sin and woe.