Reflections on the poet's youth. An apostrophe to Selma. Oscar obtains leave to go to Inis-thona, an island of Scandinavia. The mournful story of Argon and Ruro, the two sons of the king of Inis-thona. Oscar revenges their death, and returns in triumph to Selma. A soliloquy by the poet himself.

And they heard the tent-poles clatter,
And the fly in twain was torn –
'Tis the soiled rag of a tatter
Of the tent where I was born.
And what matters it, I wonder?
Brick or stone or calico? –
Or a bush you were born under,
When it happened long ago?

And my beds were camp beds and tramp beds and damp beds,
And my beds were dry beds on drought-stricken ground,
Hard beds and soft beds, and wide beds and narrow –
For my beds were strange beds the wide world round.

And the old hag seemed to ponder

Upon a mountain height, far from the sea,
I found a shell,
And to my listening ear the lonely thing
Ever a song of ocean seemed to sing,
Ever a tale of ocean seemed to tell.

How came the shell upon that mountain height?
Ah, who can say
Whether there dropped by some too careless hand,
Or whether there cast when Ocean swept the Land,
Ere the Eternal had ordained the Day?

Strange, was it not? Far from its native deep,
One song it sang,--
Sang of the awful mysteries of the tide,

Some hundred fifty years ago
A young man left his home;
Good-bye to hills of Ireland,
To make it on his own.
At age eighteen, he had no fear
To cross the ocean wide,
Although he made the trip alone,
With no one by his side.

His storm-tossed ship went off its course,
So, Boston was its end.
He went ashore, with Irish luck,
And found himself a friend.
His benefactor sheltered him
And taught him all he knew.
Young Thomas Walsh was learning
All the things good tradesmen do.

His 'Irish luck' continued,

A capital ship for an ocean trip
Was the Walloping Window Blind.
No gale that blew dismayed her crew
Or troubled the captain's mind.

The man at the wheel was taught to feel
Contempt for the wildest blow.
And it often appeared when the weather had cleared
That he'd been in his bunk below.

The boatswain's mate was very sedate,
Yet fond of amusement too;
And he played hopscotch with the starboard watch
While the captain tickled the crew.

And the gunner we had was apparently mad

Hail to thee, mountain beloved, with thy glittering purple-dyed summit!
Hail to thee also, fair sun, looking so lovingly on!
Thee, too, I hail, thou smiling plain, and ye murmuring lindens,
Ay, and the chorus so glad, cradled on yonder high boughs;
Thee, too, peaceably azure, in infinite measure extending
Round the dusky-hued mount, over the forest so green,--
Round about me, who now from my chamber's confinement escaping,
And from vain frivolous talk, gladly seek refuge with thee.

As the kindling glances,
Queen-like and clear,
Which the bright moon lances
From her tranquil sphere
At the sleepless waters
Of a lonely mere,
On the wild whirling waves, mournfully, mournfully,
Shiver and die.

As the tears of sorrow
Mothers have shed -
Prayers that tomorrow
Shall in vain be sped
When the flower they flow for
Lies frozen and dead -
Fall on the throbbing brow, fall on the burning breast,
Bringing no rest.

Like bright waves that fall
With a lifelike motion

. Mother! whose virgin bosom was uncrost
With the least shade of thought to sin allied.
Woman! above all women glorified,
Our tainted nature's solitary boast;
Purer than foam on central ocean tost;
Brighter than eastern skies at daybreak strewn
With fancied roses, than the unblemished moon
Before her wane begins on heaven's blue coast;
Thy image falls to earth. Yet some, I ween,
Not unforgiven the suppliant knee might bend,
As to a visible Power, in which did blend
All that was mixed and reconciled in thee

The Village Life, and every care that reigns
O'er youthful peasants and declining swains;
What labour yields, and what, that labour past,
Age, in its hour of languor, finds at last;
What form the real picture of the poor,
Demand a song--the Muse can give no more.

Fled are those times, when, in harmonious strains,
The rustic poet praised his native plains:
No shepherds now, in smooth alternate verse,
Their country's beauty or their nymphs' rehearse;
Yet still for these we frame the tender strain,

Behold the rocky wall
That down its sloping sides
Pours the swift rain-drops, blending, as they fall,
In rushing river-tides!
Yon stream, whose sources run
Turned by a pebble's edge,
Is Athabasca, rolling toward the sun
Through the cleft mountain-ledge.
The slender rill had strayed,
But for the slanting stone,
To evening's ocean, with the tangled braid
Of foam-flecked Oregon.

So from the heights of Will
Life's parting stream descends,