Their illicit pleasure has been fulfilled.
They get up and dress quickly, without a word.
They come out of the house separately, furtively;
and as they move off down the street a bit unsettled,
it seems they sense that something about them betrays
what kind of bed they've just been lying on.
But what profit for the life of the artist:
tomorrow, the day after, or years later, he'll give voice
to the strong lines that had their beginning here.

The dawning of morn, the daylight's sinking,
The night's long hours still find me thinking
Of thee, thee, only thee.
When friends are met, and goblets crown'd,
And smiles are near, that once enchanted,
Unreach'd by all that sunshine round,
My soul, like some dark spot, is haunted
By thee, thee, only thee.

Whatever in fame's high path could waken
My spirit once, is now forsaken
For thee, thee, only thee.
Like shores, by which some headlong bark
To the ocean hurries, resting never,

Thee, God, I come from, to thee go,
All day long I like fountain flow
From thy hand out, swayed about
Mote-like in thy mighty glow.

What I know of thee I bless,
As acknowledging thy stress
On my being and as seeing
Something of thy holiness.

Once I turned from thee and hid,
Bound on what thou hadst forbid;
Sow the wind I would; I sinned:
I repent of what I did.

Bad I am, but yet thy child.
Father, be thou reconciled.
Spare thou me, since I see
With thy might that thou art mild.

It is not death
Without hereafter
To one in dearth
Of life and its laughter,

Nor the sweet murder
Dealt slow and even
Unto the martyr
Smiling at heaven:

It is the smile
Faint as a (waning) myth,
Faint, and exceeding small
On a boy's murdered mouth.

How do you know that the pilgrim track
Along the belting zodiac
Swept by the sun in his seeming rounds
Is traced by now to the Fishes' bounds
And into the Ram, when weeks of cloud
Have wrapt the sky in a clammy shroud,
And never as yet a tinct of spring
Has shown in the Earth's apparelling;
O vespering bird, how do you know,
How do you know?

How do you know, deep underground,
Hid in your bed from sight and sound,
Without a turn in temperature,
With weather life can scarce endure,
That light has won a fraction's strength,

I

A storm of white petals,
Buds throwing open baby fists
Into hands of broad flowers.

II

Red roses running upward,
Clambering to the clutches of life
Soaked in crimson.

III

Rabbles of tattered leaves
Holding golden flimsy hopes
Against the tramplings
Into the pits and gullies.

IV

Hoarfrost and silence:
Only the muffling
Of winds dark and lonesome--
Great lullabies to the long sleepers.

All night a door floated down the river.
It tried to remember little incidents of pleasure
from its former life, like the time the lovers
leaned against it kissing for hours
and whispering those famous words.
Later, there were harsh words and a shoe
was thrown and the door was slammed.
Comings and goings by the thousands,
the early mornings and late nights, years, years.
O they've got big plans, they'll make a bundle.
The door was an island that swayed in its sleep.
The moon turned the doorknob just slightly,
burned its fingers and ran,

What is your want, perpetual invalid
Whose fist is always beating on my breast's
Bone wall, incurable dictator of my house
And breaker of its peace? What is your will,
Obscure uneasy sprite : where must I run,
What must I seize, to win
A brief respite from your repining cries?

Is it a star, the passionate short spark
Produced by friction with another's flesh
You ache more darkly after. Is it power :
To snap restriction's leash, to leap
Like bloodhounds on the enemy? There is no grip
Can crush the fate you fight. Or is it to escape

In her room at the prow of the house
Where light breaks, and the windows are tossed with linden,
My daughter is writing a story.

I pause in the stairwell, hearing
From her shut door a commotion of typewriter-keys
Like a chain hauled over a gunwale.

Young as she is, the stuff
Of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
As if to reject my thought and its easy figure.
A stillness greatens, in which

The whole house seems to be thinking,

Inhuman man! curse on thy barb'rous art,
And blasted by thy murder-aiming eye;
May never pity soothe thee with a sigh,
Nor never pleasure glad thy cruel heart!

Go live, poor wanderer of the wood and field,
The bitter little of life that remains!
No more the thickening brakes and verdant plains
To thee shall home, or food, or pastime yield.

Seek, mangled wretch, some place of wonted rest,
No more of rest, but now of dying bed!
The sheltering rushes whistling o'er thy head,