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Prometheus

Cover thy spacious heavens, Zeus,
With clouds of mist,
And, like the boy who lops
The thistles' heads,
Disport with oaks and mountain-peaks,
Yet thou must leave
My earth still standing;
My cottage too, which was not raised by thee;
Leave me my hearth,
Whose kindly glow
By thee is envied.

I know nought poorer
Under the sun, than ye gods!
Ye nourish painfully,
With sacrifices
And votive prayers,
Your majesty:
Ye would e'en starve,
If children and beggars
Were not trusting fools.

While yet a child
And ignorant of life,

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Prometheus

Titan! to whose immortal eyes
The sufferings of mortality,
Seen in their sad reality,
Were not as things that gods despise;
What was thy pity's recompense?
A silent suffering, and intense;
The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,
Which speaks but in its loneliness,
And then is jealous lest the sky
Should have a listener, nor will sigh
Until its voice is echoless.

Titan! to thee the strife was given

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Proletaria

THE SUNNY rounds of Earth contain
An obverse to its Day,
Our fertile Vagrancy’s domain,
Wan Proletaria.

From pole to pole of Poverty
We stumble through the years,
With hazy-lanterned Memory
And Hope that never nears.

Wherever Plenty’s crop invites
Our pitiful brigades,
Lurk cannoneers of Vested Rights,
Juristic ambuscades;

And here hangs Rent, that squalid cage
Within which Mammon thrusts,
Bound with the fetter of a wage,

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Prof. vere de blaw

Achievin' sech distinction with his moddel tabble dote
Ez to make his Red Hoss Mountain restauraw a place uv note,
Our old friend Casey innovated somewhat round the place,
In hopes he would ameliorate the sufferin's uv the race;
'Nd uv the many features Casey managed to import
The most important wuz a Steenway gran' pianny-fort,
An' bein' there wuz nobody could play upon the same,
He telegraffed to Denver, 'nd a real perfesser came,--
The last an' crownin' glory uv the Casey restauraw
Wuz that tenderfoot musicianer, Perfesser Vere de Blaw!

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Proem

O antique fables! beautiful and bright
And joyous with the joyous youth of yore;
O antique fables! for a little light
Of that which shineth in you evermore,
To cleanse the dimness from our weary eyes,
And bathe our old world with a new surprise
Of golden dawn entrancing sea and shore.

We stagger under the enormous weight
Of all the heavy ages piled on us,
With all their grievous wrongs inveterate,
And all their disenchantments dolorous,
And all the monstrous tasks they have bequeathed;

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The Prisoner of Chillon

I
My hair is gray, but not with years,
Nor grew it white
In a single night,
As men's have grown from sudden fears:
My limbs are bow'd, though not with toil,
But rusted with a vile repose,
For they have been a dungeon's spoil,
And mine has been the fate of those
To whom the goodly earth and air
Are bann'd, and barr'd - forbidden fare;
But this was for my father's faith
I suffer'd chains and courted death;
That father perish'd at the stake
For tenets he would not forsake;
And for the same his lineal race

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Present Imperative

Horace: Book I, Ode 11

"Tu ne quaesieris--scire nefas
--quem mihi; quem tibi--"

AD LEUCONOEN


Nay querry not, Leuconoë, the finish of the fable;
Eliminate the worry as to what the years may hoard!
You only waste your time upon the Babylonian Table--
(Slang for the ouija board).

And as to whether Jupiter, the final, unsurpassed one,
May add a lot of winters to our portion here below,
Or this impinging season is to be our very last one--
Really, I'd hate to know.

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Prelude

Between the green bud and the red
Youth sat and sang by Time, and shed
From eyes and tresses flowers and tears,
From heart and spirit hopes and fears,
Upon the hollow stream whose bed
Is channelled by the foamless years;
And with the white the gold-haired head
Mixed running locks, and in Time's ears
Youth's dreams hung singing, and Time's truth
Was half not harsh in the ears of Youth.

Between the bud and the blown flower
Youth talked with joy and grief an hour,
With footless joy and wingless grief

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Preface To Ossian

WITHOUT increasing his genius, the author may have improved his language, in the eleven years that the following poems have been in the hands of the public. Errors in diction might have been committed at twenty-four, which the experience of a riper age may remove; and some exuberances in imagery may be restrained with advantage, by a degree of judgment acquired in the progress of time. Impressed with this opinion, he ran over the whole with attention and accuracy; and he hopes he has brought the work to a state of correctness which will preclude all future improvements.

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