death

tall poplars -- human beings of this earth!
black pounds of happiness -- you mirror them to death!

I saw you, sister, stand in that effulgence.

1 How doth the city sit solitary,
that was full of people!
How is she become as a widow!
She that was great among the nations,
and princess among the provinces,
how is she become tributary!

2 She weepeth sore in the night,
and her tears are on her cheeks:
among all her lovers she hath none to comfort her:
all her friends have dealt treacherously with her,
they are become her enemies.

3 Judah is gone into captivity
because of affliction, and because of great servitude:

Black is the beauty of the brightest day,
The golden belle of heaven's eternal fire,
That danced with glory on the silver waves,
Now wants the fuel that inflamed his beams:
And all with faintness and for foul disgrace,
He binds his temples with a frowning cloud,
Ready to darken earth with endless night:
Zenocrate that gave him light and life,
Whose eyes shot fire from their ivory bowers,
And tempered every soul with lively heat,
Now by the malice of the angry skies,
Whose jealousy admits no second mate,

I THAT in heill was and gladness
Am trublit now with great sickness
And feblit with infirmitie:--
   Timor Mortis conturbat me.

Our plesance here is all vain glory,
This fals world is but transitory,
The flesh is bruckle, the Feynd is slee:--
   Timor Mortis conturbat me.

The state of man does change and vary,
Now sound, now sick, now blyth, now sary,
Now dansand mirry, now like to die:--
   Timor Mortis conturbat me.

No state in Erd here standis sicker;

1. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.

When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale tit,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.

When I was a gusty man and a half

"How sweetly," said the trembling maid,
Of her own gentle voice afraid,
So long had they in silence stood,
Looking upon that tranquil flood--
"How sweetly does the moon-beam smile
To-night upon yon leafy isle!
Oft in my fancy's wanderings,
I've wish'd that little isle had wings,
And we, within its fairy bow'rs,
Were wafted off to seas unknown,
Where not a pulse should beat but ours,
And we might live, love, die alone!
Far from the cruel and the cold,--
Where the bright eyes of angels only

Away, ye gay landscapes, ye garden of roses!
In you let the minions of luxury rove;
Restore me to the rocks, where the snowflake reposes,
Though still they are sacred to freedom and love:
Yet, Caledonia, beloved are thy mountains,
Round their white summits though elements war;
Though cataracts foam 'stead of smooth-flowing fountains,
I sigh for the valley of dark Loch na Garr.

Ah! there my young footsteps in infancy wandered;
My cap was teh bonnet, my cloak was the plaid;

On the Banks of the Severn a desperate Maid
(Whom some Shepherd, neglecting his Vows, had betray'd,)
Stood resolving to banish all Sense of the Pain,
And pursue, thro' her Death, a Revenge on the Swain.
Since the Gods, and my Passion, at once he defies;
Since his Vanity lives, whilst my Character dies;
No more (did she say) will I trifle with Fate,
But commit to the Waves both my Love and my Hate.
And now to comply with that furious Desire,
Just ready to plunge, and alone to expire,

[Kwannon, the Japanese goddess of mercy, is represented with many hands, typifying generosity and kindness. In one of these hands she is supposed
to hold an axe, wherewith she severs the threads of human lives.]


I am the ancient one, the many-handed,
The merciful am I.
Here where the black pine bends above the sea
They bring their gifts to me --
Spoil of the foreshore where the corals lie,
Fishes of ivory, and amber stranded,
And carven beads
Green as the fretted fringes of the weeds.