Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to shit but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood

'Twas in the year of 1869, and on the 19th of November,
Which the people in Southern Germany will long remember,
The great rain-storm which for twenty hours did pour down,
That the rivers were overflowed and petty streams all around.

The rain fell in such torrents as had never been seen before,
That it seemed like a second deluge, the mighty torrents' roar,
At nine o'clock at night the storm did rage and moan
When Carl Springel set out on his crutches all alone --

From the handsome little hut in which he dwelt,

The city is closing for the night.
Stores draw their blinds one by one,
and it's dark again, save for the dim

infrequent streetlight bending at the neck
like a weighted stem. Years have built
the city in layers: balustrades filled in

with brick, adobe reinforced with steel,
and the rounded arches smoothed
with white cement. Neighborhoods

have changed the burro trails
to streets, bare at night—
no pedestrians, no cars, no dogs.

With daylight, the houses turned galleries

Daily the cortege of crumpled
defunct cars
goes by by the lasagna-
layered flatbed
truckload: hardtop

reverting to tar smudge,
wax shine antiqued to crusted
winepress smear,
windshield battered to
intact ice-tint, a rarity

fresh from the Pleistocene.
I like it; privately
I find esthetic
satisfaction in these
ceremonial removals

from the category of
received ideas
to regions where pigeons'
svelte smoke-velvet
limousines, taxiing

in whirligigs, reclaim
a parking lot,

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.

Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,

Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain--bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,--
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,--plunging glassy funnels
fall--

And--the other world--
the windshield a blunt barrier:
Talk to me. Sh! they would hear us.
--the backs of their heads facing us--
The stream continues its motion of

THOU! whose sublime poetic art
Can pierce the pulses of the heart,
Can force the treasur'd tear to flow
In prodigality of woe;
Or lure each jocund bliss to birth
Amid the sportive bow'rs of mirth:
LAURA DIVINE! I call thee now
To yonder promontory's brow
That props the skies; while at its feet
With fruitless ire the billows beat,
There let my fainting sense behold
Those sapphire orbs their heaven unfold,
While from thy lips vermilion bow
Sweet melody her shafts shall throw­
Yet do not, do not yield delight,

As for that other thing
which comes when the eyelid is glazed
and the wax gleam
from the unwrinkled forehead
asks no more questions
of the dry mouth,

whether they open the heart like a shirt
to release a rage of swallows,
whether the brain
is a library for worms,
on the instant of that knowledge
of the moment
when everything became so stiff,

so formal with ironical adieux,
organ and choir,
and I must borrow a black tie,
and at what moment in the oration
shall I break down and weep -

Can l'erba fresch'e.lh folha par
e la flors boton'el verjan
e.l rossinhols autet e clar
leva sa vots e mou so chan,
joi ai de lui, e joi ai de la flor
e joi de me e de midons major;
daus totas partz sui de joi claus e sens,
mas sel es jois que totz autres jois vens.

Tan am midons e la tenh car,
e tan la dopt' e la reblan
c'anc de me no.lh auzi parlar,
ni re no.lh quer ni re no.lh man.
Pero elh sap mo mal e ma dolor,
e can li plai, mi fai be e onor,
e can li plai, eu m'en sofert ab mens,

The porter in the Pullman car
Was charming, as they sometimes are.
He scanned my baggage tags: "Are you
The man who wrote of Lady Lou?"
When I said "yes" he made a fuss -
Oh, he was most assiduous;
And I was pleased to think that he
Enjoyed my brand of poetry.

He was forever at my call,
So when we got to Montreal
And he had brushed me off, I said:
"I'm glad my poems you have read.
I feel quite flattered, I confess,
And if you give me your address
I'll send you (autographed, of course)
One of my little books of verse."