NOW are the winds about us in their glee,
Tossing the slender tree;
Whirling the sands about his furious car,
March cometh from afar;
Breaks the sealed magic of old Winter’s dreams,
And rends his glassy streams;
Chafing with potent airs, he fiercely takes
Their fetters from the lakes,
And, with a power by queenly Spring supplied,
Wakens the slumbering tide.

With a wild love he seeks young Summer’s charms
And clasps her to his arms;
Lifting his shield between, he drives away
Old Winter from his prey;—

Let us be honest; the lady was not a harlot until she
married a corporation lawyer who picked her from
a Ziegfeld chorus.
Before then she never took anybody's money and paid
for her silk stockings out of what she earned singing
and dancing.
She loved one man and he loved six women and the
game was changing her looks, calling for more and
more massage money and high coin for the beauty
doctors.
Now she drives a long, underslung motor car all by herself,
reads in the day's papers what her husband is

(for Elizabeth Bishop)

Nautilus Island's hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son's a bishop. Her farmer is first selectman in our village;
she's in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria's century
she buys up all
the eyesores facing her shore,
and lets them fall.

The season's ill--
we've lost our summer millionaire,
who seemed to leap from an L. L. Bean
catalogue. His nine-knot yawl

Cat stands at the fridge,
Cries loudly for milk.
But I've filled her bowl.
Wild cat, I say, Sister,
Look, you have milk.
I clink my fingernail
Against the rim. Milk.
With down and liver,
A word I know she hears.
Her sad miaow. She runs
To me. She dips
In her whiskers but
Doesn't drink. As sometimes
I want the light on
When it is on. Or when
I saw the woman walking
toward my house and
I thought there's Frances.
Then looked in the car mirror
To be sure. She stalks
The room. She wants. Milk

I can't have it
and you can't have it
and we won't
get it

so don't bet on it
or even think about
it

just get out of bed
each morning

wash
shave
clothe
yoursel f
and go out into
it

because
outside of that
all that's left is
suicide and
madness

so you just
can't
expect too much

you can't even
expect

so what you do
is
work from a modest
minimal
base

like when you
walk outside
be glad your car
might possibly
be there

In the usual iconography of the temple or the local Wok
you would never see him doing such a thing,
tossing the dry snow over a mountain
of his bare, round shoulder,
his hair tied in a knot,
a model of concentration.

Sitting is more his speed, if that is the word
for what he does, or does not do.

Even the season is wrong for him.
In all his manifestations, is it not warm or slightly humid?
Is this not implied by his serene expression,
that smile so wide it wraps itself around the waist of the universe?

The happiest moment in a woman's life
Is when she hears the turn of her lover's key
In the lock, and pretends to be asleep
When he enters the room, trying to be
Quiet but clumsy, bumping into things,
And she can smell the liquor on his breath
But forgives him because she has him back
And doesn't have to sleep alone.

The happiest moment is a man's life
Is when he climbs out of bed
With a woman, after an hour's sleep,
After making love, and pulls on
His trousers, and walks outside,
And pees in the bushes, and sees

for Jim Cummins

In Iowa, Jim dreamed that Della Street was Anne Sexton's
twin. Dave drew a comic strip called the "Adventures of Whitman,"
about a bearded beer-guzzler in Superman uniform. Donna dressed
like Wallace Stevens
in a seersucker summer suit. To town came Ted Berrigan,
saying, "My idea of a bad poet is Marvin Bell."
But no one has won as many prizes as Philip Levine.

At the restaurant, people were talking about Philip Levine's
latest: the Pulitzer. A toast was proposed by Anne Sexton.

Hide, happy damask, from the stars,
What sleep enfolds behind your veil,
But open to the fairy cars
On which the dreams of midnight sail;
And let the zephyrs rise and fall
About her in the curtained gloom,
And then return to tell me all
The silken secrets of the room.

Ah, dearest! may the elves that sway
Thy fancies come from emerald plots,
Where they have dozed and dreamed all day
In hearts of blue forget-me-nots.
And one perhaps shall whisper thus:
Awake! and light the darkness, Sweet!
While thou art reveling with us,

From the Greek Anthologies


Swifter than aught 'neath the sun the car of Simonides moved
him.
Two things he could not out-run--Death and a Woman who
loved him.