'Twas in the year of 1746, on a fine summer afternoon,
When trees and flowers were in full bloom,
That widow Riddel sat knitting stockings on a little rustic seat,
Which her only son had made for her, which was very neat.

The cottage she lived in was in the wilds of Nithsdale,
Where many a poor soul had cause to bewail
The loss of their shealings, that were burned to the ground,
By a party of fierce British dragoons that chanced to come round.

While widow Riddel sat in her garden she heard an unusual sound,

'There's something new in the river,'
The fish said as it swam.
'It's got no scales, no fins and no gills,
And ignores the impassable dam.'

'There's something new in the trees.'
I heard a bloated thrush sing.
'It's got no beak, no claws, and no feathers,
And not even the ghost of a wing.'

'There's something new in the warren,'
Said the rabbit to the doe.
'It's got no fur, no eyes and no paws,
Yet digs further than we dare go.'

'There's something new in the whiteness,'
Said the snow-bright polar bear.

Into the gravity of my life,
the serious ceremonies
of polish and paper
and pen, has come

this manic animal
whose innocent disruptions
make nonsense
of my old simplicities--

as if I needed him
to prove again that after
all the careful planning,
anything can happen.

Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,

I am the very pattern of a modern Major-Gineral,
I've information vegetable, animal, and mineral;
I know the kings of England, and I quote the fights historical,
From Marathon to Waterloo, in order categorical;
I'm very well acquainted, too, with matters mathematical,
I understand equations, both the simple and quadratical;
About binomial theorem I'm teeming with a lot o' news,
With interesting facts about the square of the hypotenuse,
I'm very good at integral and differential calculus,
I know the scientific names of beings animalculous.

A Peevish Fellow laid his Head
On Pillows, stuff'd with Down;
But was no sooner warm in Bed,
With hopes to rest his Crown,

But Animals of slender size,
That feast on humane Gore,
From secret Ambushes arise,
Nor suffer him to snore;

Who starts, and scrubs, and frets, and swears,
'Till, finding all in vain,
He for Relief employs his Pray'rs
In this old Heathen strain.

Great Jupiter! thy Thunder send
From out the pitchy Clouds,
And give these Foes a dreadful End,

Light on the towns and cities, and peace for evermore!
The Big Five met in the world's light as many had met before,
And the future of man is settled and there shall be no more war.

The lamb shall lie down with the lion, and trust with treachery;
The brave man go with the coward, and the chained mind shackle the free,
And the truthful sit with the liar ever by land and sea.

And there shall be no more passion and no more love nor hate;
No more contempt for the paltry, no more respect for the great;

Kanagaroo, Kangaroo!
Thou Spirit of Australia,
That redeems from utter failure,
From perfect desolation,
And warrants the creation
Of this fifth part of the Earth,
Which would seem an after-birth,
Not conceiv'd in the Beginning
(For GOD bless'd His work at first,
And saw that it was good),
But emerg'd at the first sinning,
When the ground was therefore curst; --
And hence this barren wood!


Kangaroo, Kangaroo!
Tho' at first sight we should say,
In thy nature that there may

I. Soon

Of all the springtimes of the world
This one is the ugliest
Of all of my ways of being
To be trusting is the best

Grass pushes up snow
Like the stone of a tomb
But I sleep within the storm
And awaken eyes bright

Slowness, brief time ends
Where all streets must pass
Through my innermost recesses
So that I would meet someone

I don’t listen to monsters
I know them and all that they say
I see only beautiful faces
Good faces, sure of themselves
Certain soon to ruin their masters

From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.

It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—