There is delight in singing, though none hear
Beside the singer; and there is delight
In praising, though the praiser sits alone
And see the praised far off him, far above.
Shakespeare is not our poet, but the world's,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale
No man hath walked along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse. But warmer climes
Give brighter plumage, stronger wing; the breeze
Of Alpine heights thou playest with, borne on

Rana, to me your slander is sweet.

Some praise me, some blame me. I

go the other way.

On the narrow path, I found God’s

people. What should I turn back for?

I am learning wisdom among the

wise, and the wicked look at me

with malice.

Mira’s Lord is Giridhar Nagar.

Let the wicked burn in the kitchen fire.







Mira’s God is the lifter of mountains.

I don’t like your strange world, Rana,

A world where there are no holy men,

Your hand full of hours, you came to me – and I said:
‘Your hair is not brown.’
You lifted it, lightly,
on to the balance of grief,
it was heavier than I.

They come to you on their ships, and make it their load,
then put it on sale in the markets of lust.
You smile at me from the deep.
I weep at you from the scale that’s still light.
I weep: Your hair is not brown.
They offer salt-waves of the sea,
and you give them spume.
You whisper: ‘They’re filling the world with me now,
and for you I’m still a hollow way in the heart!

'She will change,' I cried.
'Into a withered crone.'
The heart in my side,
That so still had lain,
In noble rage replied
And beat upon the bone:

'Uplift those eyes and throw
Those glances unafraid:
She would as bravely show
Did all the fabric fade;
No withered crone I saw
Before the world was made.'

Abashed by that report,
For the heart cannot lie,
I knelt in the dirt.
And all shall bend the knee
To my offended heart
Until it pardon me.

I

I cannot heed the words they say,
The lights grow far away and dim,
Amid the laughing men and maids
My eyes unbidden seek for him.

I hope that when he smiles at me
He does not guess my joy and pain,
For if he did, he is too kind
To ever look my way again.

II

I have a secret in my heart
No ears have ever heard,
And still it sings there day by day
Most like a caged bird.

And when it beats against the bars,
I do not set it free,
For I am happier to know
It only sings for me.

starving there, sitting around the bars,
and at night walking the streets for
hours,
the moonlight always seemed fake
to me, maybe it was,
and in the French Quarter I watched
the horses and buggies going by,
everybody sitting high in the open
carriages, the black driver, and in
back the man and the woman,
usually young and always white.
and I was always white.
and hardly charmed by the
world.
New Orleans was a place to
hide.
I could piss away my life,
unmolested.
except for the rats.

610

You'll find—it when you try to die—
The Easier to let go—
For recollecting such as went—
You could not spare—you know.

And though their places somewhat filled—
As did their Marble names
With Moss—they never grew so full—
You chose the newer names—

And when this World—sets further back—
As Dying—say it does—
The former love—distincter grows—
And supersedes the fresh—

And Thought of them—so fair invites—
It looks too tawdry Grace
To stay behind—with just the Toys
We bought—to ease their place—

You, darkness, that I come from
I love you more than all the fires
that fence in the world,
for the fire makes a circle of light for everyone
and then no one outside learns of you.

But the darkness pulls in everything-
shapes and fires, animals and myself,
how easily it gathers them! -
powers and people-

and it is possible a great presence is moving near me.

I have faith in nights.

You mustn't show weakness
and you've got to have a tan.
But sometimes I feel like the thin veils
of Jewish women who faint
at weddings and on Yom Kippur.

You mustn't show weakness
and you've got to make a list
of all the things you can load
in a baby carriage without a baby.

This is the way things stand now:
if I pull out the stopper
after pampering myself in the bath,
I'm afraid that all of Jerusalem, and with it the whole world,
will drain out into the huge darkness.

In the daytime I lay traps for my memories

I’VE noticed this happen, when everything is black,
When I’m down below zero and cannot get back,
When I feel like a sort of a National Debt,
That will go on for ages and never be met,
When my will is all bagged at the knees and dead beat,
It is then, don’t you know, that., I’m certain to meet
With some prodigal lifeless dejected old bean,
Who is worse off than I you know what I mean.
Someone or other who’s entered the race,
With a sense of intention but can’t stay the pace,
He tells all his troubles and heaven knows what,