work

1. IN THE BACKS.

As I was strolling lonely in the Backs,
I met a woman whom I did not like.
I did not like the way the woman walked:
Loose-hipped, big-boned, disjointed, angular.
If her anatomy comprised a waist,
I did not notice it: she had a face
With eyes and lips adjusted thereunto,
But round her mouth no pleasing shadows stirred,
Nor did her eyes invite a second glance.
Her dress was absolutely colourless,
Devoid of taste or shape or character;
Her boots were rather old, and rather large,

DEAD, with their eyes to the foe,
Dead, with the foe at their feet;
Under the sky laid low
Truly their slumber is sweet,
Though the wind from the Camp of the
Slain Men blow,
And the rain on the wilderness beat.

Dead, for they chose to die
When that wild race was run;
Dead, for they would not fly,
Deeming their work undone,
Nor cared to look on the face of the sky,
Nor loved the light of the sun.

Honor we give them and tears,

Dogs take new friends abruptly and by smell,
Cats' meetings are neat, tactual, caressive.
Monkeys exchange their fleas before they speak.
Snakes, no doubt, coil by coil reach mutual knowledge.

We then, at first encounter, should be silent;
Not court the cortex but the epidermis;
Not work from inside out but outside in;
Discover each other's flesh, its scent and texture;
Familiarize the sinews and the nerve-ends,
The hands, the hair - before the inept lips open.

Instead of which we are resonant, explicit.

Man's like a candle in a candlestick,
Made up of tallow and a little wick;
And as the candle when it is not lighted,
So is he who is in his sins benighted.
Nor can a man his soul with grace inspire,
More than can candles set themselves on fire.
Candles receive their light from what they are not;
Men grace from Him for whom at first they care not.
We manage candles when they take the fire;
God men, when he with grace doth them inspire.
And biggest candles give the better light,

One ugly trick has often spoil'd
The sweetest and the best;
Matilda, though a pleasant child,
One ugly trick possess'd,
Which, like a cloud before the skies,
Hid all her better qualities.

Sometimes she'd lift the tea-pot lid,
To peep at what was in it,
Or tilt the kettle, if you did
But turn your back a minute.
In vain you told her not to touch,
Her trick of meddling grew so much.

Her grandmamma went out one day,
And by mistake she laid
Her spectacles and snuff-box gay

Luini in porcelain!
The grand piano
Utters a profane
Protest with her clear soprano.

The sleek head emerges
From the gold-yellow frock
As Anadyomene in the opening
Pages of Reinach.

Honey-red, closing the face-oval,
A basket-work of braids which seem as if they were
Spun in King Minos' hall
From metal, or intractable amber;

The face-oval beneath the glaze,
Bright in its suave bounding-line, as,
Beneath half-watt rays,
The eyes turn topaz.

Lord, Thou hast made this world below the shadow of a dream,
An', taught by time, I tak' it so -- exceptin' always Steam.
From coupler-flange to spindle-guide I see Thy Hand, O God --
Predestination in the stride o' yon connectin'-rod.
John Calvin might ha' forged the same -- enorrmous, certain, slow --
Ay, wrought it in the furnace-flame -- ~my~ "Institutio".
I cannot get my sleep to-night; old bones are hard to please;
I'll stand the middle watch up here -- alone wi' God an' these

1911


If you stop to find out what your wages will be
And how they will clothe and feed you,
Willie, my son, don't you go on the Sea.
For the Sea will never need you.

If you ask for the reason of every command,
And argue with people about you,
Willie, my son, don't you go on the Land,
For the Land will do better without you.

If you stop to consider the work you have done
And to boast what your labour is worth, dear,
Angels may come for you, Willie, my son,

Unhewn in quarry lay the Parian stone,
   Ere hands, god-guided, of Praxiteles
Might shape the Cnidian Venus. Long ungrown
   The ivory was which, chiselled, robbed of ease
   Pygmalion, sculptor-lover. Now are these,
The stone and ivory, immortal made.
   The golden apples of Hesperides
Shall never, scattered, in blown dust be laid,
   Till Time, the dragon-guard, has lived his last decade.

The Cnidian Venus, Galatea's shape,
   A wondering world beheld, as we behold, --

I cannot ope mine eyes,
But thou art ready there to catch
My morning-soul and sacrifice:
Then we must needs for that day make a match.

My God, what is a heart?
Silver, or gold, or precious stone,
Or star, or rainbow, or a part
Of all these things or all of them in one?

My God, what is a heart?
That thou should'st it so eye, and woo,
Pouring upon it all thy art,
As if that thou hadst nothing else to do?

Indeed man's whole estate
Amounts (and richly) to serve thee: