Mighty art thou, because of the peaceful charms of thy presence;
That which the silent does not, never the boastful can do.
Vigor in man I expect, the law in its honors maintaining,
But, through the graces alone, woman e'er rules or should rule.
Many, indeed, have ruled through the might of the spirit and action,
But then thou noblest of crowns, they were deficient in thee.
No real queen exists but the womanly beauty of woman;
Where it appears, it must rule; ruling because it appears!

NOW spent the alter'd King, in am'rous Cares,
The Hours of sacred Hymns and solemn Pray'rs:
In vain the Alter waits his slow returns,
Where unattended Incense faintly burns:
In vain the whisp'ring Priests their Fears express,
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires,
And in his Palace feeds his secret Fires;
Impatient, till from Rabbah Tydings tell,
That near those Walls the poor Uriah fell,
Led to the Onset by a Chosen Few,
Who at the treacherous Signal, soon withdrew;

In ancient days when every brute
To humble privilege had right;
Could reason, wrangle, or dispute,
As well as scratch, and tear, and bite;
When Phoebus shone his brightest ray,
The rip'ning corn his pow'r confessed;
His cheering beams made Nature gay,
The eagle in his warmth was blest.
But malcontents e'en then arose,
The birds who love the dolesome night
The darkest grove with care they chose,
And there caball'd against the light.
The screech-owl, with ill-boding cry,
Portends strange things, old women say,

THEY tell you the poet is useless and empty the sound of his lyre,
That science has made him a phantom, and thinned to a shadow his fire:
Yet reformer has never demolished a dungeon or den of the foe
But the flame of the soul of a poet pulsated in every blow.

They tell you he hinders with tinklings, with gags from an obsolete stage,
The dramas of deed and the worship of Laws in a practical age:
But the deeds of to-day are the children of magical dreams he has sung,

'Does the blackened ruin, situated in the stony ground between Durraj and Mutathallam, which did not speak to me, when addressed, belong to the abode of Ummi Awfa?

'And is it her dwelling at the two stony meadows, seeming as though they were the renewed tattoo marks in the sinews of the wrist?

'The wild cows and the white deer are wandering about there, one herd behind the other, while their young are springing up from every lying-down place.

I've had my share of necessary losses,
Of dreams I know no longer can come true.
I'm done now with the whys and the becauses.
It's time to make things good, not just make do.
It's time to stop complaining and pursue
The pleasures of an ordinary life.

I used to rail against my compromises.
I yearned for the wild music, the swift race.
But happiness arrived in new disguises:
Sun lighting a child's hair. A friend's embrace.
Slow dancing in a safe and quiet place.
The pleasures of an ordinary life.

I. In South Africa

Over the lonesome African plain
The stars look down, like eyes of the slain.

A bumping ride across gullies and ruts,
Now a grumble and now a jest,
A bit of profanity jolted out,
--Whist!
Into a hornet's nest!
Curse on the scout!
Long-bearded Boers rising out of the rocks,
Rocks that already are crimson-splashed,
Ping-ping of bullets, stabbings and cuts,
As if hell hurtled and hissed,
--Then, muffling the shocks,
A sting in the breast,
A mist,

Pipes of the misty moorlands,
Voice of the glens and hills;
The droning of the torrents,
The treble of the rills!
Not the braes of bloom and heather,
Nor the mountains dark with rain,
Nor maiden bower, nor border tower,
Have heard your sweetest strain!

Dear to the Lowland reaper,
And plaided mountaineer, -
To the cottage and the castle
The Scottish pipes are dear; -
Sweet sounds the ancient pibroch
O'er mountain, loch, and glade;
But the sweetest of all music
The pipes at Lucknow played.

My student-lamp is lighted,
The books and papers are spread;
A sound comes floating upwards,
Chasing the thoughts from my head.

I open the garret window,
Let the music in and the moon;
See the woman grin for coppers,
While the man grinds out the tune.

Grind me a dirge or a requiem,
Or a funeral-march sad and slow,
But not, O not, that waltz tune
I heard so long ago.

I stand upright by the window,
The moonlight streams in wan:--
O God! with its changeless rise and fall
The tune twirls on and on.

is it the cut glass
of their eyes
looking up toward
the new gnarled branch
of the black man
hanging from a tree?

is it the white milk pleated
collar of the woman
smiling toward the camera,
her fingers loose around
a christian cross drooping
against her breast?

is it all of us
captured by history into an
accurate album? will we be
required to view it together
under a gathering sky?