January jumps about
in the frying pan
trying to heat
his frozen feet
like a Canadian.

February scuttles under
any dish's lid
and she thinks she's dry because she's
thoroughly well hid
but it still rains all month long
and it always did.

March sits in the bath tub
with the taps turned on.
Hot and cold, cold or not,
Has the Winter gone?
In like a lion, out like a lamb
March on, march on, march on.

April slips about
sometimes indoors
and sometimes out
sometimes sheltering from a little

It's thoughts—and just One Heart—
And Old Sunshine—about—
Make frugal—Ones—Content—
And two or three—for Company—
Upon a Holiday—
Crowded—as Sacrament—

Books—when the Unit—
Spare the Tenant—long eno'—
A Picture—if it Care—
Itself—a Gallery too rare—
For needing more—

Flowers—to keep the Eyes—from going awkward—
When it snows—
A Bird—if they—prefer—
Though Winter fire—sing clear as Plover—
To our—ear—

A Landscape—not so great
To suffocate the Eye—
A Hill—perhaps—
Perhaps—the profile of a Mill

It was an April morning: fresh and clear
The Rivulet, delighting in its strength,
Ran with a young man's speed; and yet the voice
Of waters which the winter had supplied
Was softened down into a vernal tone.
The spirit of enjoyment and desire,
And hopes and wishes, from all living things
Went circling, like a multitude of sounds.
The budding groves seemed eager to urge on
The steps of June; as if their various hues
Were only hindrances that stood between
Them and their object: but, meanwhile, prevailed

I walked among the seven woods of Coole:
Shan-walla, where a willow-hordered pond
Gathers the wild duck from the winter dawn;
Shady Kyle-dortha; sunnier Kyle-na-no,
Where many hundred squirrels are as happy
As though they had been hidden by green bough's
Where old age cannot find them; Paire-na-lee,
Where hazel and ash and privet blind the paths:
Dim Paire-na-carraig, where the wild bees fling
Their sudden fragrances on the green air;
Dim Paire-na-tarav, where enchanted eyes
Have seen immortal, mild, proud shadows walk;

Should you ask me,
whence these stories?
Whence these legends and traditions,
With the odors of the forest
With the dew and damp of meadows,
With the curling smoke of wigwams,
With the rushing of great rivers,
With their frequent repetitions,
And their wild reverberations
As of thunder in the mountains?
I should answer, I should tell you,
"From the forests and the prairies,
From the great lakes of the Northland,
From the land of the Ojibways,
From the land of the Dacotahs,
From the mountains, moors, and fen-lands

Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly
Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire
Near where it joined the Cher.
The St. Lawrence prods among black stones
And mud. But the Arno is all stones.
Wind ruffles the Hudson's
Surface. The Irawaddy is overflowing.
But the yellowish, gray Tiber
Is contained within steep banks. The Isar
Flows too fast to swim in, the Jordan's water
Courses over the flat land. The Allegheny and its boats

Bewilderingly, from wildly shaken cloud,
Invisible hands, deft moving everywhere,
Have woven a winding sheet of velvet air,
And laid the dead earth in her downy shroud.
And more and more, in white confusion, crowd
Wan, whirling flakes, while o'er the icy glare
Blue heaven that was glooms blackening o'er the bare
Tree skeletons, to ruthless tempest bowed.

Nay, let the outer world be winter-locked;
Beside the hearth of glowing memories
I warm my life. Once more our boat is rocked,
As on a cradle by the palm-fringed Nile;

Daily dawns another day;
I must up, to make my way.
Though I dress and drink and eat,
Move my fingers and my feet,
Learn a little, here and there,
Weep and laugh and sweat and swear,
Hear a song, or watch a stage,
Leave some words upon a page,
Claim a foe, or hail a friend-
Bed awaits me at the end.

Though I go in pride and strength,
I'll come back to bed at length.
Though I walk in blinded woe,
Back to bed I'm bound to go.
High my heart, or bowed my head,
All my days but lead to bed.
Up, and out, and on; and then

Lyric night of the lingering Indian summer,
Shadowy fields that are scentless but full of singing,
Never a bird, but the passionless chant of insects,
Ceaseless, insistent.

The grasshopper's horn, and far off, high in the maples
The wheel of a locust slowly grinding the silence,
Under a moon waning and warn and broken,
Tired with summer.

Let me remember you, voices of little insects,
Weeds in the moonlight, fields that are tangled with asters,
Let me remember you, soon the winter will be on us,
Snow-hushed and heartless.

Come to my arms --- is it eve? is it morn?
Is Apollo awake? Is Diana reborn?
Are the streams in full song? Do the woods whisper hush
Is it the nightingale? Is it the thrush?
Is it the smile of the autumn, the blush
Of the spring? Is the world full of peace or alarms?
Come to my arms, Laylah, come to my arms!

Come to my arms, though the hurricane blow.
Thunder and summer, or winter and snow,
It is one to us, one, while our spirits are curled
In the crimson caress: we are fond, we are furled