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To Heaven

Good and great God, can I not think of thee
But it must straight my melancholy be?
Is it interpreted in me disease
That, laden with my sins, I seek for ease?
Oh be thou witness, that the reins dost know
And hearts of all, if I be sad for show,
And judge me after; if I dare pretend
To ought but grace or aim at other end.
As thou art all, so be thou all to me,
First, midst, and last, converted one, and three;
My faith, my hope, my love; and in this state
My judge, my witness, and my advocate.

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To Erinna

Was Time not harsh to you, or was he kind,
O pale Erinna of the perfect lyre,
That he has left no word of singing fire
Whereby you waked the dreaming Lesbian wind,
And kindled night along the lyric shore?
O girl whose lips Erato stooped to kiss,
Do you go sorrowing because of this
In fields where poets sing forevermore?
Or are you glad and is it best to be
A silent music men have never heard,
A dream in all our souls that we may say:
"Her voice had all the rapture of the sea,
And all the clear cool quiver of a bird

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To Ellen, At The South

The green grass is growing,
The morning wind is in it,
'Tis a tune worth the knowing,
Though it change every minute.

'Tis a tune of the spring,
Every year plays it over,
To the robin on the wing,
To the pausing lover.

O'er ten thousand thousand acres
Goes light the nimble zephyr,
The flowers, tiny feet of shakers,
Worship him ever.

Hark to the winning sound!
They summon thee, dearest,
Saying; "We have drest for thee the ground,
Nor yet thou appearest.

"O hasten, 'tis our time,
Ere yet the red summer

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To Elizabeth Ward Perkins

Dear Bessie, would my tired rhyme
Had force to rise from apathy,
And shaking off its lethargy
Ring word-tones like a Christmas chime.

But in my soul's high belfry, chill
The bitter wind of doubt has blown,
The summer swallows all have flown,
The bells are frost-bound, mute and still.

Upon the crumbling boards the snow
Has drifted deep, the clappers hang
Prismed with icicles, their clang
Unheard since ages long ago.

The rope I pull is stiff and cold,
My straining ears detect no sound

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To Death

O King of Terrors, whose unbounded Sway
All that have Life, must certainly Obey;
The King, the Priest, the Prophet, all are Thine,
Nor wou'd ev'n God (in Flesh) thy Stroke decline.
My Name is on thy Roll, and sure I must
Encrease thy gloomy Kingdom in the Dust.
My soul at this no Apprehension feels,
But trembles at thy Swords, thy Racks, thy Wheels;
Thy scorching Fevers, which distract the Sense,
And snatch us raving, unprepar'd from hence;
At thy contagious Darts, that wound the Heads
Of weeping Friends, who wait at dying Beds.

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To Be Blind

Is it sounds
converging,
Sounds
nearing,
Infringement,
impingement,
Impact,
contact
With surfaces of the sounds
Or surfaces without the sounds:
Diagrams,
skeletal,
strange?

Is it winds
curling round invisible corners?
Polyphony of perfumes?
Antennae discovering an axis,
erecting the architecture of a world?

Is it
orchestration of the finger-tips,

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To an Ungentle Critic

The great sun sinks behind the town
Through a red mist of Volnay wine....
But what’s the use of setting down
That glorious blaze behind the town?
You’ll only skip the page, you’ll look
For newer pictures in this book;
You’ve read of sunsets rich as mine.

A fresh wind fills the evening air
With horrid crying of night birds....
But what reads new or curious there
When cold winds fly across the air?
You’ll only frown; you’ll turn the page,
But find no glimpse of your “New Age
Of Poetry” in my worn-out words.

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To an Early Daffodil

Thou yellow trumpeter of laggard Spring!
Thou herald of rich Summer's myriad flowers!
The climbing sun with new recovered powers
Does warm thee into being, through the ring
Of rich, brown earth he woos thee, makes thee fling
Thy green shoots up, inheriting the dowers
Of bending sky and sudden, sweeping showers,
Till ripe and blossoming thou art a thing
To make all nature glad, thou art so gay;
To fill the lonely with a joy untold;
Nodding at every gust of wind to-day,
To-morrow jewelled with raindrops. Always bold

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To an Aeolian Harp

The winds have grown articulate in thee,
And voiced again the wail of ancient woe
That smote upon the winds of long ago:
The cries of Trojan women as they flee,
The quivering moan of pale Andromache,
Now lifted loud with pain and now brought low.
It is the soul of sorrow that we know,
As in a shell the soul of all the sea.
So sometimes in the compass of a song,
Unknown to him who sings, thro' lips that live,
The voiceless dead of long-forgotten lands
Proclaim to us their heaviness and wrong

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To Amarantha, that she would dishevel her Hair

AMARANTHA sweet and fair,
Ah, braid no more that shining hair!
As my curious hand or eye
Hovering round thee, let it fly!

Let it fly as unconfined
As its calm ravisher the wind,
Who hath left his darling, th' East,
To wanton o'er that spicy nest.

Every tress must be confest,
But neatly tangled at the best;
Like a clew of golden thread
Most excellently ravelled.

Do not then wind up that light
In ribbands, and o'ercloud in night,
Like the Sun in 's early ray;

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