All things uncomely and broken,
All things worn-out and old,
The cry of a child by the roadway,
The creak of a lumbering cart,
The heavy steps of the ploughman,
splashing the wintry mould,
Are wronging your image that blossoms
A rose in the deeps of my heart.
The wrong of unshapely things
Is a wrong too great to be told;
I hunger to build them anew
And sit on a green knoll apart,
With the earth and the sky and the water,
Remade, like a casket of gold
For my dreams of your image that blossoms

In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.

Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.  People use their own words.

Latin letters are in it for names, for e.g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure

have escaped their toilet doors.  I (that is, saya,
Ego, watashji wa) am two eyes without pupils;

I'll tell thee everything I can:
There's little to relate.
I saw an aged aged man,
A-sitting on a gate.

'Who are you, aged man?' I said.
'And how is it you live?'
And his answer trickled through my head,
Like water through a sieve.
He said, 'I look for butterflies
That sleep among the wheat:
I make them into mutton-pies,
And sell them in the street.

I sell them unto men,' he said,
'Who sail on stormy seas;
And that's the way I get my bread --
A trifle, if you please.'
But I was thinking of a plan

Can I explain this to you? Your eyes
are entrances the mouths of caves
I issue from wonderful interiors
upon a blessed sea and a fine day,
from inside these caves I look and dream.

Your hair explicable as a waterfall
in some black liquid cooled by legend
fell across my thought in a moment
became a garment I am naked without
lines drawn across through morning and evening.

And in your body each minute I died
moving your thigh could disinter me
from a grave in a distant city:
your breasts deserted by cloth, clothed in twilight

Slowly, silently, now the moon
Walks the night in her silver shoon;
This way, and that, she peers, and sees
Silver fruit upon silver trees;
One by one the casements catch
Her beams beneath the silvery thatch;
Couched in his kennel, like a log,
With paws of silver sleeps the dog;
From their shadowy cote the white breasts peep
Of doves in silver feathered sleep
A harvest mouse goes scampering by,
With silver claws, and silver eye;
And moveless fish in the water gleam,
By silver reeds in a silver stream.

Why is the word pretty so underrated?
In November the leaf is pretty when it falls.
The stream grows deep in the woods after rain.
And in the pretty pool the pike stalks.

He stalks his prey, and this is pretty too,
The prey escapes with an underwater flash.
But not for long, the great has him now.
The pike is a fish who always has his prey

And this is pretty. The water rat is pretty.
His paws are not webbed; he cannot shut his nostrils
As the otter can and the beaver; he is torn between
The land water. Not 'torn he does not mind.

'Tis said, that some have died for love:
And here and there a churchyard grave is found
In the cold north's unhallowed ground,
Because the wretched man himself had slain,
His love was such a grievous pain.
And there is one whom I five years have known;
He dwells alone
Upon Helvellyn's side:
He loved--the pretty Barbara died;
And thus he makes his moan:
Three years had Barbara in her grave been laid
When thus his moan he made:

"Oh, move, thou Cottage, from behind that oak!
Or let the aged tree uprooted lie,

'Tis said, that some have died for love:
And here and there a churchyard grave is found
In the cold north's unhallowed ground,
Because the wretched man himself had slain,
His love was such a grievous pain.
And there is one whom I five years have known;
He dwells alone
Upon Helvellyn's side:
He loved--the pretty Barbara died;
And thus he makes his moan:
Three years had Barbara in her grave been laid
When thus his moan he made:

'Oh, move, thou Cottage, from behind that oak!
Or let the aged tree uprooted lie,

'Tis hard that the full summer of our round
Is but the turn where winter's sign-post's writ;
That to have reached the best is leaving it;
That final loss bears date from having found.
So some proud vessel in a narrow sound
Sails at high water with the fair wind fit,
And lo! the ebb along the sandy spit,
Lower and lower till she jars, aground.

'Tis hard. We are young still but more content;
'Tis our ripe flush, the heyday of our prime;
We learn full breath, how rich of the air we are!
But suddenly we note a touch of time,

660

'Tis good—the looking back on Grief—
To re-endure a Day—
We thought the Mighty Funeral—
Of All Conceived Joy—

To recollect how Busy Grass
Did meddle—one by one—
Till all the Grief with Summer—waved
And none could see the stone.

And though the Woe you have Today
Be larger—As the Sea
Exceeds its Unremembered Drop—
They're Water—equally—