Let those who're fond of idle tricks,
Of throwing stones, and hurling bricks,
And all that sort of fun,
Now hear a tale of idle Jim,
That warning they may take by him,
Nor do as he has done.

In harmless sport or healthful play
He did not pass his time away,
Nor took his pleasure in it;
For mischief was his only joy:
No book, or work, or even toy,
Could please him for a minute.

A neighbour's house he'd slyly pass,
And throw a stone to break the glass,
And then enjoy the joke!
Or, if a window open stood,

Dawn off the Foreland -- the young flood making
Jumbled and short and steep --
Black in the hollows and bright where it's breaking --
Awkward water to sweep.
"Mines reported in the fairway,
Warn all traffic and detain.
Sent up Unity, Claribel, Assyrian, Stormcock, and Golden Gain."

Noon off the Foreland -- the first ebb making
Lumpy and strong in the bight.
Boom after boom, and the golf-hut shaking
And the jackdaws wild with fright.
"Mines located in the fairway,
Boats now working up the chain,

In Mike Maloney's Nugget bar the hooch was flowin' free,
An' One-eyed Mike was shakin' dice wi' Montreal Maree,
An roarin' rageful warning when the boys got overwild,
When peekin' through the double door he spied a tiny child.
Then Mike Maloney muttered: "Hell! Now ain't that jest too bad;
It's Dud McClusky's orphen Nell a-lookin' for her dad.
An' him in back, a-lushin' wine wi' Violet de Vere-
Three times I've told the lousy swine to keep away from here."
"Pore leetle sing! He leaves her lone, so he go on ze spree:

Maveric Prowles
Had Rumbling Bowles
That thundered in the night.
It shook the bedrooms all around
And gave the folks a fright.
The doctor called;
He was appalled
When through his stethoscope
He heard the sound of a baying hound,
And the acrid smell of smoke.
Was there a cure?
'The higher the fewer'
The learned doctor said,
Then turned poor Maveric inside out
And stood him on his head.
'Just as I though
You've been and caught
An Asiatic flu -
You musn't go near dogs I fear
Unless they come near you.'

Mother of man's time-travelling generations,
Breath of his nostrils, heartblood of his heart,
God above all Gods worshipped of all nations,
Light above light, law beyond law, thou art.

Thy face is as a sword smiting in sunder
Shadows and chains and dreams and iron things;
The sea is dumb before thy face, the thunder
Silent, the skies are narrower than thy wings.

Angels and Gods, spirit and sense, thou takest
In thy right hand as drops of dust or dew;
The temples and the towers of time thou breakest,

The blast from Freedom's Northern hills, upon its Southern way,
Bears greeting to Virginia from Massachusetts Bay:
No word of haughty challenging, nor battle bugle's peal,
Nor steady tread of marching files, nor clang of horsemen's steel,

No trains of deep-mouthed cannon along our highways go;
Around our silent arsenals untrodden lies the snow;
And to the land-breeze of our ports, upon their errands far,
A thousand sails of commerce swell, but none are spread for war.

We hear thy threats, Virginia! thy stormy words and high

They say you can jinx a poem
if you talk about it before it is done.
If you let it out too early, they warn,
your poem will fly away,
and this time they are absolutely right.

Take the night I mentioned to you
I wanted to write about the madmen,
as the newspapers so blithely call them,
who attack art, not in reviews,
but with breadknives and hammers
in the quiet museums of Prague and Amsterdam.

Actually, they are the real artists,
you said, spinning the ice in your glass.
The screwdriver is their brush.

Have you ever heard of lynching in the great United States?
'Tis an awful, awful story that the Negro man relates,
How the mobs the laws have trampled, both the human and divine,
In their killing helpless people as their cruel hearts incline.

Not the heathen! 'Tis the Christian with the Bible in his hand,
Stands for pain and death to tyrannize the weaklings of the land;
Not the red man nor the Spaniard kills the blacks of Uncle Sam,
'Tis the white man of the nation who will lunch the sons of Ham.

Love not, love not! ye hapless sons of clay!
Hope’s gayest wreaths are made of earthly flowers—
Things that are made to fade and fall away
Ere they have blossom’d for a few short hours.
Love not!

Love not! the thing ye love may change:
The rosy lip may cease to smile on you,
The kindly-beaming eye grow cold and strange,
The heart still warmly beat, yet not be true.
Love not!

Love not! the thing you love may die,
May perish from the gay and gladsome earth;
The silent stars, the blue and smiling sky,

Long Pont's apparitional
this warm spring morning,
the strand a blur of sandy light,


and the square white
of the lighthouse-separated from us
by the bay's ultramarine


as if it were nowhere
we could ever go-gleams
like a tower's ghost, hazing


into the rinsed blue of March,
our last outpost in the huge
indetermination of sea.


It seems cheerful enough,
in the strengthening sunlight,
fixed point accompanying our walk

along the shore. Sometimes I think
it's the where-we-will be,