Silent Noon

Your hands lie open in the long fresh grass, -
The finger-points look through like rosy blooms:
Your eyes smile peace. The pasture gleams and glooms
'Neath billowing skies that scatter and amass.
All round our nest, far as the eye can pass,
Are golden kingcup-fields with silver edge
Where the cow-parsley skirts the hawthorn-hedge.
'Tis visible silence, still as the hour-glass.

Deep in the sun-searched growths the dragon-fly
Hangs like a blue thread loosened from the sky: -


Sir Humphrey Gilbert

Southward with fleet of ice
Sailed the corsair Death;
Wild and gast blew the blast,
And the east-wind was his breath.
His lordly ships of ice
Glisten in the sun;
On each side, like pennons wide,
Flashing crystal streamlets run.
His sails of white sea-mist
Dripped with silver rain;
But where he passed there were cast
Leaden shadows o'er the main.

Eastward from Campobello
Sir Humphrey Gilbert sailed;
Three days or more seaward he bore,


Sister, Awake, Thomas Bateson's First Set of English Madrigals

SISTER, awake! close not your eyes!
   The day her light discloses,
And the bright morning doth arise
   Out of her bed of roses.

See the clear sun, the world's bright eye,
   In at our window peeping:
Lo, how he blusheth to espy
   Us idle wenches sleeping!

Therefore awake! make haste, I say,
   And let us, without staying,
All in our gowns of green so gay
   Into the Park a-maying!


Since First I saw your Face, Thomas Ford's Music of Sundry Kinds

SINCE first I saw your face I resolved to honour and renown ye;
If now I be disdained I wish my heart had never known ye.
What? I that loved and you that liked, shall we begin to wrangle?
No, no, no, my heart is fast, and cannot disentangle.

If I admire or praise you too much, that fault you may forgive me;
Or if my hands had stray'd but a touch, then justly might you leave
me.
I ask'd you leave, you bade me love; is 't now a time to chide me?
No, no, no, I'll love you still what fortune e'er betide me.


Smoke

Can you imagine the air filled with smoke?
It was. The city was vanishing before noon
or was it earlier than that? I can't say because
the light came from nowhere and went nowhere.
This was years ago, before you were born, before
your parents met in a bus station downtown.
She'd come on Friday after work all the way
from Toledo, and he'd dressed in his only suit.

Back then we called this a date, some times
a blind date, though they'd written back and forth
for weeks. What actually took place is now lost.


Sleep Spaces

In the night there are of course the seven wonders
of the world and the greatness tragedy and enchantment.
Forests collide with legendary creatures hiding in thickets.
There is you.
In the night there are the walker's footsteps the murderer's
the town policeman's light from the street lamp and the ragman's lantern
There is you.
In the night trains go past and boats
and the fantasy of countries where it's daytime. The last breaths
of twilight and the first shivers of dawn.
There is you.
A piano tune, a shout.


Skin Trade

And then I said, That's what it means
to testify: to sit in the locked dark muttering
when you should be dead to the world. The muse
just shrugged and shaded his blue eyes. So naturally
I followed him down to his father's house
by the river, a converted factory in the old
industrial park: somewhere to sit
on threadbare cushions eating my words
and his promises, safe as milk
that dries the throat. If I had a home,
he'd be that unmade bed. He's my America
twisted in dirty sheets, my inspiration


Skin of Light

The skin of light enveloping this world lacks depth and I can actually see the black night of all these
similar bodies beneath the trembling veil and light of myself it is this night that even the mask of the
sun cannot hide from me I am the seer of night the auditor of silence for silence too is dressed in
sonorous skin and each sense has its own night even as I do I am my own night I am the conceiver
of non-being and of all its splendor I am the father of death she is its mother she whom I evoke


Skeeta An Old Servant's Tale

Our Skeeta was married, our Skeeta! the tomboy
and pet of the place,
No more as a maiden we'd greet her, no more
would her pert little face
Light up the chill gloom of the parlour; no more
would her deft little hands
Serve drinks to the travel-stained caller on his way
to more southerly lands;
No more would she chaff the rough drovers and
send them away with a smile,
No more would she madden her lovers, demurely,
with womanish guile -
The "prince" from the great Never-Never, with
light touch of lips and of hand


Six Significant Landscapes

I
An old man sits
In the shadow of a pine tree
In China.
He sees larkspur,
Blue and white,
At the edge of the shadow,
Move in the wind.
His beard moves in the wind.
The pine tree moves in the wind.
Thus water flows
Over weeds.

II
The night is of the colour
Of a woman's arm:
Night, the female,
Obscure,
Fragrant and supple,
Conceals herself.
A pool shines,
Like a bracelet
Shaken in a dance.

III
I measure myself


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