sun

XXIII

Is it indeed so? If I lay here dead,
Wouldst thou miss any life in losing mine?
And would the sun for thee more coldly shine
Because of grave-damps falling round my head?
I marvelled, my Beloved, when I read
Thy thought so in the letter. I am thine—
But . . . so much to thee? Can I pour thy wine
While my hands tremble ? Then my soul, instead
Of dreams of death, resumes life's lower range.
Then, love me, Love! look on me—breathe on me!
As brighter ladies do not count it strange,

Care-charmer Sleep, son of the sable Night,
Brother to death, in silent darkness born,
Relieve my languish and restore the light,
With dark forgetting of my cares' return.
And let the day be time enough to mourn
The shipwrack of my ill-adventur'd youth;
Let waking eyes suffice to wail their scorn
Without the torment of the night's untruth.
Cease Dreams, th'imagery of our day desires,
To model forth the passions of the morrow;
Never let the rising Sun approve you liars,

Who will in fairest book of nature know
How virtue may best lodg'd in beauty be,
Let him but learn of love to read in thee,
Stella, those fair lines which true goodness show.
There shall he find all vices' overthrow,
Not by rude force, but sweetest sovereignty
Of reason, from whose light those night-birds fly;
That inward sun in thine eyes shineth so.
And, not content to be perfection's heir
Thyself, dost strive all minds that way to move,
Who mark in thee what is in thee most fair.

Loving in truth, and fain in verse my love to show,
That she (dear She) might take some pleasure of my pain:
Pleasure might cause her read, reading might make her know,
Knowledge might pity win, and pity grace obtain;

I sought fit words to paint the blackest face of woe,
Studying inventions fine, her wits to entertain:
Oft turning others' leaves, to see if thence would flow
Some fresh and fruitful showers upon my sun-burn'd brain.

But words came halting forth, wanting Invention's stay,

XXXII

The first time that the sun rose on thine oath
To love me, I looked forward to the moon
To slacken all those bonds which seemed too soon
And quickly tied to make a lasting troth.
Quick-loving hearts, I thought, may quickly loathe;
And, looking on myself, I seemed not one
For such man's love!—more like an out-of-tune
Worn viol, a good singer would be wroth
To spoil his song with, and which, snatched in haste,
Is laid down at the first ill-sounding note.
I did not wrong myself so, but I placed

XXXI

Thou comest! all is said without a word.
I sit beneath thy looks, as children do
In the noon-sun, with souls that tremble through
Their happy eyelids from an unaverred
Yet prodigal inward joy. Behold, I erred
In that last doubt! and yet I cannot rue
The sin most, but the occasion—that we two
Should for a moment stand unministered
By a mutual presence. Ah, keep near and close,
Thou dovelike help! and, when my fears would rise,
With thy broad heart serenely interpose:

Fair is the rising morn when o'er the sky
The orient sun expands his roseate ray,
And lovely to the Bard's enthusiast eye
Fades the meek radiance of departing day;
But fairer is the smile of one we love,
Than all the scenes in Nature's ample sway.
And sweeter than the music of the grove,
The voice that bids us welcome. Such delight
EDITH! is mine, escaping to thy sight
From the hard durance of the empty throng.
Too swiftly then towards the silent night
Ye Hours of happiness! ye speed along,

My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound.
I grant I never saw a goddess go:
My mistress, when she walks, treads on the ground.

Why is my verse so barren of new pride?
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods, and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent.

If there be nothing new, but that which is
Hath been before, how are our brains beguiled,
Which, labouring for invention bear amis
The second burthen of a former child!
O, that record could with a backward look,
Even of five hundred courses of the sun,
Show me your image in some antique book,
Since mind at first in character was done.
That I might see what the old world could say
To this composèd wonder of your frame;
Whether we are mended, or whe'er better they,
Or whether revolution be the same.