The Artist as an Old Man

If you ask him he will talk for hours--
how at fourteen he hammered signs, fingers
raw with cold, and later painted bowers
in ladies' boudoirs; how he played checkers
for two weeks in jail, and lived on dark bread;
how he fled the border to a country
which disappeared wars ago; unfriended
crossed a continent while this century
began. He seldom speaks of painting now.
Young men have time and theories; old men work.
He has painted countless portraits. Sallow
nameless faces, made glistening in oil, smirk


The art of alma-tadema

There is no song his colours cannot sing,
For all his art breathes melody, and tunes
The fine, keen beauty that his brushes bring
To murmuring marbles and to golden Junes.

The music of those marbles you can hear
In every crevice, where the deep green stains
Have sunken when the grey days of the year
Spilled leisurely their warm, incessant rains

That, lingering, forget to leave the ledge,
But drenched into the seams, amid the hush
Of ages, leaving but the silent pledge


The Apple-Tree

Old John had an apple-tree, healthy and green,
Which bore the best codlins that ever were seen,
So juicy, so mellow, and red;
And when they were ripe, he disposed of his store,
To children or any who pass'd by his door,
To buy him a morsel of bread.

Little Dick, his next neighbour, one often might see,
With longing eye viewing this fine apple-tree,
And wishing a codlin might fall:
One day as he stood in the heat of the sun,
He began thinking whether he might not take one,
And then he look'd over the wall.


The Apple Orchard

Come let us watch the sun go down
and walk in twilight through the orchard's green.
Does it not seem as if we had for long
collected, saved and harbored within us
old memories? To find releases and seek
new hopes, remembering half-forgotten joys,
mingled with darkness coming from within,
as we randomly voice our thoughts aloud
wandering beneath these harvest-laden trees
reminiscent of Durer woodcuts, branches
which, bent under the fully ripened fruit,
wait patiently, trying to outlast, to


The Apostasy

One star
Is better far
Than many precious stones;
One sun, which is by its own luster seen,
Is worth ten thousand golden thrones;
A juicy herb, or spire of grass,
In useful virtue, native green,
An em'rald doth surpass,
Hath in 't more value, though less seen.

No wars,
Nor mortal jars,
Nor bloody feuds, nor coin,
Nor griefs which those occasions, saw I then;
Nor wicked thieves which this purloin;
I had not thoughts that were impure;
Esteeming both women and men


The Ape and the Lady

A LADY fair, of lineage high,
Was loved by an Ape, in the days gone by -
The Maid was radiant as the sun,
The Ape was a most unsightly one -
So it would not do -
His scheme fell through;
For the Maid, when his love took formal shape,
Expressed such terror
At his monstrous error,
That he stammered an apology and made his 'scape,
The picture of a disconcerted Ape.

With a view to rise in the social scale,
He shaved his bristles, and he docked his tail,
He grew moustachios, and he took his tub,


The All Right Un

He came from "further out",
That land of fear and drought
And dust and gravel.
He got a touch of sun,
And rested at the run
Until his cure was done,
And he could travel.
When spring had decked the plain,
He flitted off again
As flit the swallows.
And from that western land,
When many months were spanned,
A letter came to hand,
Which read as follows:

"Dear Sir, I take my pen
In hopes that all their men
And you are hearty.
You think that I've forgot


The Alchemist in the City

My window shews the travelling clouds,
Leaves spent, new seasons, alter'd sky,
The making and the melting crowds:
The whole world passes; I stand by.

They do not waste their meted hours,
But men and masters plan and build:
I see the crowning of their towers,
And happy promises fulfill'd.

And I - perhaps if my intent
Could count on prediluvian age,
The labours I should then have spent
Might so attain their heritage,

But now before the pot can glow
With not to be discover'd gold,


The After-Glow

It is a solemn evening, golden-clear--
The Alpine summits flame with rose-lit snow
And headlands purpling on wide seas below,
And clouds and woods and arid rocks appear
Dissolving in the sun's own atmosphere
And vast circumference of light, whose slow
Transfiguration--glow and after-glow--
Turns twilight earth to a more luminous sphere.

Oh heart, I ask, seeing that the orb of day
Has sunk below, yet left to sky and sea
His glory's spiritual after-shine:
I ask if Love, whose sun hath set for thee,


The Advance Guard

In the dream of the Northern poets,
The brave who in battle die
Fight on in shadowy phalanx
In the field of the upper sky;
And as we read the sounding rhyme,
The reverent fancy hears
The ghostly ring of the viewless swords
And the clash of the spectral spears.

We think with imperious questionings
Of the brothers whom we have lost,
And we strive to track in death's mystery
The flight of each valiant ghost.
The Northern myth comes back to us,
And we feel, through our sorrow's night,


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