He faints with hope and fear. It is the hour.
Distant, across the thundering organ-swell,
In sweet discord from the cathedral-tower,
Fall the faint chimes and the thrice-sequent bell.
Over the crowd his eye uneasy roves.
He sees a plume, a fur; his heart dilates --
Soars . . . and then sinks again. It is not hers he loves.
She will not come, the woman that he waits.


Braided with streams of silver incense rise
The antique prayers and ponderous antiphones.
`Gloria Patri' echoes to the skies;

Musynge upon the restlees bysynesse
Which that this troubly world hath ay on honde,
That othir thyng than fruyt of bittirnesse
Ne yildith naght, as I can undirstonde,
At Chestres In, right faste by the Stronde,
As I lay in my bed upon a nyght,
Thoght me byrefte of sleep the force and might. 1

And many a day and nyght that wikkid hyne
Hadde beforn vexed my poore goost
So grevously that of angwissh and pyne
No rycher man was nowhere in no coost.
This dar I seyn, may no wight make his boost

Why look the distant mountains
So gloomy and so drear?
Are rain clouds passing o’er them,
Or is the tempest near?
No shadow of the tempest
Is there, nor wind nor rain—
’Tis Charon that is passing by,
With all his gloomy train.

The young men march before him,
In all their strength and pride;
The tender little infants,
They totter by his side;
The old men walk behind him,
And earnestly they pray—
Both old and young imploring him
To grant some brief delay.

‘O Charon! halt, we pray thee,

1901


Not in the camp his victory lies
Or triumph in the market-place,
Who is his Nation's sacrifice
To turn the judgement from his race.

Happy is he who, bred and taught
By sleek, sufficing Circumstance --
Whose Gospel was the apparelled thought,
Whose Gods were Luxury and Chance --

Seese, on the threshold of his days,
The old life shrivel like a scroll,
And to unheralded dismays
Submits his body and his soul;

The fatted shows wherein he stood
Foregoing, and the idiot pride,

The night was dark when she went away, and the slept.
The night is dark now, and I call for her, "Come back, my
darling; the world is asleep; and no one would know, if you came
for a moment while stars are gazing at stars."
She went away when the trees were in bud and the spring was
young.
Now the flowers are in high bloom and I call, "Come back, my
darling. The children gather and scatter flowers in reckless sport.
And if you come and take one little blossom no one will miss it."

My life is vile
I hate it so
I'll wait awhile
And then I'll go.

Why wait at all?
Hope springs alive,
Good may befall
I yet may thrive.

It is because I can't make up my mind
If God is good, impotent or unkind.

Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the vale profound
Is overflowing with the sound.

No nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne'er was heard
In spring-time from the cuckoo-bird
Breaking the silence of the seas
Among the farthest Hebrides.

IN my garden, O Beloved!
Many pleasant trees are growing,
Peach, and apricot, and apple,
Myrtle, lilac, and laburnum.

Fair are they, but midst them lonely,
Like an exiled Eastern Princess
In a strange land far from kindred,
Stands a lonely fair Pomegranate.

Dreaming of its native Orient
Always is the fair Pomegranate,
And beneath it I lie dreaming
Of thine eyes and thee, Beloved!

Overhead its red globes, gleaming
Like red moons, old tales recall of
Eastern moons and songs of Hafiz—

The whole world on a raft! A King is here,
The record of his grandeur but a smear.
Is it his deacon-beard, or old bald pate
That makes the band upon his whims to wait?
Loot and mud-honey have his soul defiled.
Quack, pig, and priest, he drives camp-meetings wild
Until they shower their pennies like spring rain
That he may preach upon the Spanish main.
What landlord, lawyer, voodoo-man has yet
A better native right to make men sweat?

The whole world on a raft! A Duke is here
At sight of whose lank jaw the muses leer.

WHAT nymph should I admire or trust,
But Chloe beauteous, Chloe just?
What nymph should I desire to see,
But her who leaves the plain for me?
To whom should I compose the lay,
But her who listens when I play?
To whom in song repeat my cares,
But her who in my sorrow shares?
For whom should I the garland make,
But her who joys the gift to take,
And boasts she wears it for my sake?
In love am I not fully blest?
Lisetta, prithee tell the rest.

LISETTA'S REPLY

Sure Chloe just, and Chloe fair,