song

Act I, scene iv, lines 259-72

The swallow leaves her nest,
The soul my weary breast;
But therefore let the rain
On my grave
Fall pure; for why complain
Since both will come again
O'er the wave.

The wind dead leaves and snow
Doth hurry to and fro;
And, once, a day shall break
O'er the wave,
When a storm of ghosts shall shake
The dead, until they wake
In the grave.

AH, sad are they who know not love,
But, far from passion's tears and smiles,
Drift down a moonless sea, beyond
The silvery coasts of fairy isles.

And sadder they whose longing lips
Kiss empty air, and never touch
The dear warm mouth of those they love --
Waiting, wasting, suffering much.

But clear as amber, fine as musk,
Is life to those who, pilgrim-wise,
Move hand in hand from dawn to dusk,
Each morning nearer Paradise.

Ah, not for them shall angels pray!

Balkis was in her marble town,
And shadow over the world came down.
Whiteness of walls, towers and piers,
That all day dazzled eyes to tears,
Turned from being white-golden flame,
And like the deep-sea blue became.
Balkis into her garden went;
Her spirit was in discontent
Like a torch in restless air.
Joylessly she wandered there,
And saw her city's azure white
Lying under the great night,
Beautiful as the memory
Of a worshipping world would be
In the mind of a god, in the hour

O SING unto my roundelay,
O drop the briny tear with me;
Dance no more at holyday,
Like a running river be:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Black his cryne as the winter night,
White his rode as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
   My love is dead,
   Gone to his death-bed
All under the willow-tree.

Sweet his tongue as the throstle's note,
Quick in dance as thought can be,

Hidden, oh hidden
in the high fog
the house we live in,
beneath the magnetic rock,
rain-, rainbow-ridden,
where blood-black
bromelias, lichens,
owls, and the lint
of the waterfalls cling,
familiar, unbidden.

In a dim age
of water
the brook sings loud
from a rib cage
of giant fern; vapor
climbs up the thick growth
effortlessly, turns back,
holding them both,
house and rock,
in a private cloud.

At night, on the roof,

Now that I have your face by heart, I look
Less at its features than its darkening frame
Where quince and melon, yellow as young flame,
Lie with quilled dahlias and the shepherd's crook.
Beyond, a garden, There, in insolent ease
The lead and marble figures watch the show
Of yet another summer loath to go
Although the scythes hang in the apple trees.

Now that I have your face by heart, I look.

Now that I have your voice by heart, I read
In the black chords upon a dulling page

There is a land where summer skies
Are gleaming with a thousand dyes
Blending in witching harmonies,
in harmonies;
and grassy knoll and forest height,
are flushing in the rosy light,
And all above is azure bright -
Australia, Australia, Australia.


There is a land where honey flows
Where laughing corn luxuriant grows;
Land of the myrtle and the rose,
land of the rose.
On hill and plain the clustering vine
Is gushing out with purple wine,
And cups are quaffed to thee and thine -

Fair stream of the mountain, brightly flowing
Between thy fresh margins, gay with flowers,
Life's uncertain visions showing;
Thus, like thy waters glide past the hours.
Oft on thy sunny banks I lie
And mark the waves that glitter by
With fleeting joy and brightness glowing.

Fair stream! when no more near thee reclining,
I gaze and lament for moments gone—
Cold and silent, past repining—
Still thy clear way thou wilt murmur on:
Still will thy roses bloom anew,

A hundred years and more ago
A little child was born --
To-day, with pomp of martial show,
We hail his natal morn.

Who guessed as that poor infant wept
Upon a woman's knee,
A nation from the centuries stept
As weak and frail as he?

Who saw the future on his brow
Upon that happy morn?
We are a mighty nation now
Because that child was born.

To him, and to his spirit's scope,
Besides a glorious home,
We owe that what we have and hope
Are more than Greece and Rome.

In the never truly ever
truly dark dark night, ever
blinds-zipped, slat-cut,
dark-parked light,
you (late) touch my toes
with your broad flat own
horny-nailed cold toes.
Clock-tock, wake-shock.

In the ever truly never
truly long long night, our
little snoring-snarling
wild-child mild-child
starling-darling wakes every
two, three (you-sleep) hours,
in the never truly ever
truly lawn brawn fawn dawn.