son

O Tavern of the Golden Snail!
Ten sous have I, so I'll regale;
Ten sous your amber brew to sip
(Eight for the bock and two the tip),
And so I'll sit the evening long,
And smoke my pipe and watch the throng,
The giddy crowd that drains and drinks,
I'll watch it quiet as a sphinx;
And who among them all shall buy
For ten poor sous such joy as I?
As I who, snugly tucked away,
Look on it all as on a play,
A frolic scene of love and fun,
To please an audience of One.
II
O Tavern of the Golden Snail!

Let Erin remember the days of old,
Ere her faithless sons betray'd her;
When Malachi wore the collar of gold,
Which he won from her proud invader,
When her kings, with standard of green unfurl'd,
Led the Red-Branch Knights to danger!
Ere the emerald gem of the western world
Was set in the crown of a stranger.

On Lough Neagh's bank as the fisherman strays,
When the clear cold eve's declining,
He sees the round towers of other days
In the wave beneath him shining:

Let me die a youngman's death
not a clean and inbetween
the sheets holywater death
not a famous-last-words
peaceful out of breath death

When I'm 73
and in constant good tumour
may I be mown down at dawn
by a bright red sports car
on my way home
from an allnight party

Or when I'm 91
with silver hair
and sitting in a barber's chair
may rival gangsters
with hamfisted tommyguns burst in
and give me a short back and insides

Or when I'm 104
and banned from the Cavern

I—THE LURE

No, no,—forget your Cricket and your Ant,
For I shall never set my name to theirs
That now bespeak the very sons and heirs
Incarnate of Queen Gossip and King Cant.
The case of Leffingwell is mixed, I grant,
And futile Seems the burden that he bears;
But are we sounding his forlorn affairs
Who brand him parasite and sycophant?

I tell you, Leffingwell was more than these;
And if he prove a rather sorry knight,
What quiverings in the distance of what light

Morne esprit, autrefois amoureux de la lutte,
L'Espoir, dont l'éperon attisait ton ardeur,
Ne veut plus t'enfourcher! Couche-toi sans pudeur,
Vieux cheval dont le pied à chaque obstacle bute.
Résigne-toi, mon coeur; dors ton sommeil de brute.

Esprit vaincu, fourbu! Pour toi, vieux maraudeur,
L'amour n'a plus de gout, non plus que la dispute;
Adieu donc, chants du cuivre et soupirs de la flûte!
Plaisirs, ne tentez plus un coeur sombre et boudeur!
Le Printemps adorable a perdu son odeur!

Now Nature hangs her mantle green
On every blooming tree,
And spreads her sheets o' daises white
Out o'er the grassy lea
Now Pheebus cheers the crystal streams,
And glads the azure skies;
But nought can glad the weary wight
That fast in durance lies.

Now laverocks wake the merry morn
Aloft on dewy wing;
The merle, in his noontide bow'r,
Makes woodland echoes ring;
The mavis wild ai' mony a note,
Sings drowsy day to reast
In love and freedom they rejoice,

ARGUMENT.

Lathmon, a British prince, taking advantage of Fingal's absence on an expedition to Ireland, made a descent on Morven, and advanced within sight of Selma, the royal residence. Fingal arrived in the mean time, and Lathmon retreated to a hill, where his army was surprised by night, and himself taken prisoner by Ossian and Gaul the son of Morni. The poem opens with the first appearance of Fingal on the coast of Morven, and ends, it may be supposed, about noon the next day.

Rain filled the streets
once a year, rising almost
to door and window sills,
battering walls and roofs
until it cleaned away the mess
we'd made. My father told
me this, he told me it ran
downtown and spilled into
the river, which in turn
emptied finally into the sea.
He said this only once
while I sat on the arm
of his chair and stared out
at the banks of gray snow
melting as the March rain
streaked past. All the rest
of that day passed on

The fat lady came out first,
tearing out roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summoning the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards

Lady, the fates command, and I must go,---
Leaving the pleasant land so dear to me:
Here my heart suffered many a heavy woe:
But what is left to love, thus leaving thee?
Alas! that cruel land beyond the see!
Why thus dividing many a faithful heart,
Never again from pain and sorrow free,
Never again to meet, when thus they part?

I see not, when thy presence bright I leave,
How wealth, or joy, or peace can be my lot:
Ne'er yet my spirit found such cause to grieve