I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.

II

Oh the long and dreary Winter!
Oh the cold and cruel Winter!
Ever thicker, thicker, thicker
Froze the ice on lake and river,
Ever deeper, deeper, deeper
Fell the snow o'er all the landscape,
Fell the covering snow, and drifted
Through the forest, round the village.
Hardly from his buried wigwam
Could the hunter force a passage;
With his mittens and his snow-shoes
Vainly walked he through the forest,
Sought for bird or beast and found none,
Saw no track of deer or rabbit,
In the snow beheld no footprints,

THE FAIRY TEMPLE; OR, OBERON'S CHAPEL

DEDICATED TO MR JOHN MERRIFIELD,
COUNSELLOR AT LAW

RARE TEMPLES THOU HAST SEEN, I KNOW,
AND RICH FOR IN AND OUTWARD SHOW;
SURVEY THIS CHAPEL BUILT, ALONE,
WITHOUT OR LIME, OR WOOD, OR STONE.
THEN SAY, IF ONE THOU'ST SEEN MORE FINE
THAN THIS, THE FAIRIES' ONCE, NOW THINE.

THE TEMPLE

A way enchaced with glass and beads
There is, that to the Chapel leads;
Whose structure, for his holy rest,
Is here the Halcyon's curious nest;
Into the which who looks, shall see

In Love's name you are charged hereby
To make a speedy hue and cry,
After a face, who t'other day,
Came and stole my heart away;
For your directions in brief
These are best marks to know the thief:
Her hair a net of beams would prove,
Strong enough to capture Jove,
Playing the eagle; her clear brow
Is a comely field of snow.
A sparkling eye, so pure a gray
As when it shines it needs no day.
Ivory dwelleth on her nose;
Lilies, married to the rose,
Have made her cheek the nuptial bed;

"There's no sense in going further --
it's the edge of cultivation,"
So they said, and I believed it --
broke my land and sowed my crop --
Built my barns and strung my fences
in the little border station
Tucked away below the foothills
where the trails run out and stop.

Till a voice, as bad as Conscience,
rang interminable changes
In one everlasting Whisper
day and night repeated -- so:
"Something hidden. Go and find it.
Go and look behind the Ranges --
Something lost behind the Ranges.

Ye green-rob'd Dryads, oft' at dusky Eve
By wondering Shepherds seen, to Forests brown,
To unfrequented Meads, and pathless Wilds,
Lead me from Gardens deckt with Art's vain Pomps.
Can gilt Alcoves, can Marble-mimic Gods,
Parterres embroider'd, Obelisks, and Urns
Of high Relief; can the long, spreading Lake,
Or Vista lessening to the Sight; can Stow
With all her Attic Fanes, such Raptures raise,
As the Thrush-haunted Copse, where lightly leaps
The fearful Fawn the rustling Leaves along,
And the brisk Squirrel sports from Bough to Bough,

Now he is dead
How should I know
My true love's arms
From wind and snow?

No man I meet
In field or house
Though in the street
A hundred pass.

The hurrying dust
Has never a face,
No longer human
In man or woman.

Now he is gone
Why should I mourn
My true love more than mud,
than mud or stone?

In a glade of an elfin forest
When Sussex was Eden-new,
I came on an elvish painter
And watched as his picture grew,
A harebell nodded beside him.
He dipt his brush in the dew.

And it might be the wild thyme round him
That shone in the dark strange ring;
But his brushes were bees' antennae,
His knife was a wasp's blue sting;
And his gorgeous exquisite palette
Was a butterfly's fan-shaped wing.

And he mingled its powdery colours,
And painted the lights that pass,
On a delicate cobweb canvas

What are the dreams of him who may sleep

Where the solemn voice of the troubled deep

Steals on the wind with a sullen roar,

And the waters foam along the shore?

Who shelter'd lies in some calm retreat,

And hears the music of waves at his feet?


He sees not the sail that passes on

O'er the sunny fields of the sea, alone,

The farthest point that gleams on the sight,

A vanishing speck of glittering light.


He sees not the spray that, spreading wide,

The lone man gazed and gazed upon his gold,
His sweat, his blood, the wage of weary days;
But now how sweet, how doubly sweet to hold
All gay and gleamy to the campfire blaze.
The evening sky was sinister and cold;
The willows shivered, wanly lay the snow;
The uncommiserating land, so old,
So worn, so grey, so niggard in its woe,
Peered through its ragged shroud. The lone man sighed,
Poured back the gaudy dust into its poke,
Gazed at the seething river listless-eyed,
Loaded his corn-cob pipe as if to smoke;