In the loam we sleep,
In the cool moist loam,
To the lull of years that pass
And the break of stars,
From the loam, then,
The soft warm loam,
We rise:
To shape of rose leaf,
Of face and shoulder.
We stand, then,
To a whiff of life,
Lifted to the silver of the sun
Over and out of the loam
A day.
Lord, what a Beloved is mine! I have a sweet quarry; I possess
in my breast a hundred meadows from his reed.
When in anger the messenger comes and repairs towards me,
he says, “Whither are you fleeing? I have business with you.”
Last night I asked the new moon concerning my Moon. The
moon said, “I am running in his wake, my foot is in his dust.”
When the sun arose I said,” How yellow of face you are!” The
sun said, “Out of shame for his countenance I have a face of
gold.”
I see it as it looked one afternoon
In August,-by a fresh soft breeze o'erblown.
The swiftness of the tide, the light thereon,
A far-off sail, white as a crescent moon.
The shining waters with pale currents strewn,
The quiet fishing-smacks, the Eastern cove,
The semi-circle of its dark, green grove.
The luminous grasses, and the merry sun
In the grave sky; the sparkle far and wide,
Laughter of unseen children, cheerful chirp
Of crickets, and low lisp of rippling tide,
Light summer clouds fantastical as sleep
Being apart and lonely is like rain.
It climbs toward evening from the ocean plains;
from flat places, rolling and remote, it climbs
to heaven, which is its old abode.
And only when leaving heaven drops upon the city.
It rains down on us in those twittering
hours when the streets turn their faces to the dawn,
and when two bodies who have found nothing,
dissapointed and depressed, roll over;
and when two people who despise eachother
have to sleep together in one bed-
Children - are staring of eyes so frightful,
Mischievous legs on a wooden floor,
Children - is sun in the gloomy motives,
Hypotheses' of happy sciences world.
Eternal disorder in the ring's gold,
Tender word's whispers in semi-sleep,
On the wall in a cozy child's room, the dreaming
Peaceful pictures of birds and sheep.
Children - is evening, evening on the couch,
In the fog, through the window, glimmer street lamps,
A measured voice of the tale of King Saltan,
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
And thou wert sad—yet I was not with thee!
And thou wert sick, and yet I was not near;
Methought that joy and health alone could be
Where I was not—and pain and sorrow here.
And is it thus?—it is as I foretold,
And shall be more so; for the mind recoils
Upon itself, and the wrecked heart lies cold,
While heaviness collects the shattered spoils.
It is not in the storm nor in the strife
We feel benumbed, and wish to be no more,
But in the after-silence on the shore,
When all is lost, except a little life.
The cold earth slept below;
Above the cold sky shone;
And all around,
With a chilling sound,
From caves of ice and fields of snow
The breath of night like death did flow
Beneath the sinking moon.
The wintry hedge was black;
The green grass was not seen;
The birds did rest
On the bare thorn's breast,
Whose roots, beside the pathway track,
Had bound their folds o'er many a crack
Which the frost had made between.
Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on -
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel's track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,
He is ever drifted on
O'er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
Oh Lip-Stick Liz was in the biz, That's the oldest known in history;
She had a lot of fancy rags, Of her form she made no myst'ry.
She had a man, a fancy man, His name was Alexander,
And he used to beat her up because he couldn't understand her.
II
Now Lip-Stick Liz she loved her man And she couldn't love no other
So when she saw him with a Broadway Blonde, Her rage she could not smother.
She saw him once and she saw him twice But the third time nearly crazed her,
