sleep

NOW list to my morning's romanza--I tell the signs of the Answerer;
To the cities and farms I sing, as they spread in the sunshine before
me.

A young man comes to me bearing a message from his brother;
How shall the young man know the whether and when of his brother?
Tell him to send me the signs.

And I stand before the young man face to face, and take his right
hand in my left hand, and his left hand in my right hand,

NOT heaving from my ribb'd breast only;
Not in sighs at night, in rage, dissatisfied with myself;
Not in those long-drawn, ill-supprest sighs;
Not in many an oath and promise broken;
Not in my wilful and savage soul's volition;
Not in the subtle nourishment of the air;
Not in this beating and pounding at my temples and wrists;
Not in the curious systole and diastole within, which will one day
cease;
Not in many a hungry wish, told to the skies only;

Zut! it's two o'clock.
See! the lights are jumping.
Finish up your bock,
Time we all were humping.
Waiters stack the chairs,
Pile them on the tables;
Let us to our lairs
Underneath the gables.

Up the old Boul' Mich'
Climb with steps erratic.
Steady . . . how I wish
I was in my attic!
Full am I with cheer;
In my heart the joy stirs;
Couldn't be the beer,
Must have been the oysters.

In obscene array
Garbage cans spill over;
How I wish that they

No, not more welcome the fairy numbers
Of music fall on the sleeper's ear,
When half awaking from fearful slumbers,
He thinks the full quire of heaven is near --
Than came that voice, when, all forsaken,
This heart long had sleeping lain,
Nor thought its cold pulse would ever waken
To such benign blessed sounds again.

Sweet voice of comfort! 'twas like the stealing
Of summer wind through some wreathed shell --
Each secret winding, each inmost feeling
Of all my soul echoed to its spell.

Now winter nights enlarge
This number of their hours;
And clouds their storms discharge
Upon the airy towers.
Let now the chimneys blaze
And cups o'erflow with wine,
Let well-tuned words amaze
With harmony divine.
Now yellow waxen lights
Shall wait on honey love
While youthful revels, masques, and courtly sights
Sleep's leaden spells remove.

This time doth well dispense
With lovers' long discourse;
Much speech hath some defense,
Though beauty no remorse.

(Robert Frost, 1875-1963)


Whose wood this is I think I know:
He made it sacred long ago:
He will expect me, far or near
To watch that wood immense with snow.

That famous horse must feel great fear
Now that his noble rider's no longer here:
He gives his harness bells to rhyme
--Perhaps he will be back, in time?

All woulds were promises he kept
Throughout the night when others slept:
Now that he knows all that he did not know,
His wood is holy, and full of snow,

Come, for the dusk is our own; let us fare forth together,
With a quiet delight in our hearts for the ripe, still, autumn weather,
Through the rustling valley and wood and over the crisping meadow,
Under a high-sprung sky, winnowed of mist and shadow.

Sharp is the frosty air, and through the far hill-gaps showing
Lucent sunset lakes of crocus and green are glowing;
'Tis the hour to walk at will in a wayward, unfettered roaming,
Caring for naught save the charm, elusive and swift, of the gloaming.

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,

It is nothing to me, the beauty said,
With a careless toss of her pretty head;
The man is weak if he can't refrain
From the cup you say is fraught with pain.
It was something to her in after years;
When her eyes were drenched with burning tears,
And she watched in lonely grief and dread,
And startled to hear a staggering tread.

It is nothing to me, the mother said;
I have no fear that my boy will tread
In the downward path of sin and shame,
And crush my heart and darken his name.

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of